Jack White started Third Man after his recording contract expired with V2. The White Stripes signed with Warner to record Icky Thump, but Jack White pulled off a shrewd deal to keep the rights to vinyl pressings…and Third Man wasn’t far behind with reissues of the back catalog, plus new releases by bands like The Dead Weather.

If you’re into learning about the entire saga of Third Man, have a look at this excellent interview with one of Third Man’s major players, as published by Collector’s Weekly. It’s a pretty interesting look behind the scenes at Nashville’s prime iconoclast labels/record stores.

There are many reasons to obsess over the work of Mike Patton, not the least of which is his love of insane songwriting, Italian cinema, and maximum chaos. But for every fan of Patton, there’s an army of people out there who just have no…idea…what kind of madness awaits.

This article on Patton’s early work in Mr. Bungle is just what a newcomer needs to learn the ropes. It will become instantly clear as you read this whether you should run-not walk-to the nearest record shop to find your new obsession OR run away screaming for the safety of a Josh Groban record.

Some will cry blasphemy, but round here the California record is a huge favorite–probably because that was the gateway drug to the rest of Bungle-land. But no matter. Mr. Bungle, Disco Volante, and California are all records worth checking out. And that’s one of the things that makes a seasoned, jaded collector truly jealous–you can ONLY experience Mr. Bungle for the first time ONCE. So if that’s you, TREASURE IT.

There should be a brain-wipe machine so you can repeat those first-time ever experiences again and again, truly.

Oh, and:

One of the most enjoyable as of late? Waxidermy, a vinyl blog dedicated to out-of-print rarities and oddities that has an outstanding section called Incredibly Strange that will not only change your life, but might actually ALTER it substantially. It’s MIND BENDING.

Proof? The too-short-by-a-mile post on the vinyl record titled “Fist” Goodbody’s Traveling Torture Show, which has sent Turntabling on a torched-earth bughunt for this WTF record. It cannot be said that it must be owned, “whatever the cost” but there is a definite interest in procuring this vinyl freakshow for permanent installation in the Turntabling Collection. If you own a copy of “Fist” Goodbody’s Traveling Torture Show you want to sell, by all means get in touch.

Waxidermy is a massive, massive site and there is so much to explore that you might just fall over dead before getting through it all, which is never a bad thing. Waxidermy must go on and on forever, because it’s simply too awesome not to. Done gushing now…just get over there and have a look. You won’t be sorry. Your brain may be damaged forever by the Incredibly Strange section, but that just means Turntabling will have plenty of company.

–Joe Wallace

Super-trippy, to be sure.

One of my favorite Midwestern indie record stores is the Toledo, Ohio-based Culture Clash Records. The shop is friendly, fun to browse, and I always seem to find wonderfully weird records there like the Jannik Top robodisco project Space.

On my last visit to Culture Clash, the day before HorrorHound Weekend in Cincinatti, I was chatting with people in the shop about doing an interview for the Turntabling WTF Record Guide, when I was handed a copy of Magnet Magazine.

Apparently Magnet has been off the newsstands for a while in favor of an all-digital version, but has since returned with a print edition. That is a good thing–while I’ve not followed Magnet in some time, it was nice to see them back in print.

I took the mag, browsed it piecemeal for a week and forgot about it.

But today I picked it up again after making a discovery I’d missed all the previous times I’d read the mag–I had never glanced at the back cover until today. Imagine my pleasant surprise to find Magnet has done something quite interesting and cool with their selected listing of Indie Record Stores In Your Backyard.

The list includes several shops currently on the Vinyl Road Rage Four list (which will be announced next week) and I was very pleased to see some other familiar names there, too.

Magnet was good enough to list Culture Clash, Grimey’s in Nashville, Guestroom Records in Norman Oklahoma, the wonderful Landlocked Music in Bloomington, Indiana, plus Luna Music in Indianapolis, Shake It Records in Cincinnati, Vintage Vinyl in St. Louis and several other worthy vendors.

I have no idea whether this was done as a service or as a paid advertisement (I’d like to think it was in support of indie shops that carry Magnet on the newsstands again). Regardless, it was GREAT to see these stores that I love given national advertising and exposure. The economy sucks, times are hard for everyone, and indie record shops truly need and deserve support right now. Sure, as a record seller myself (horror conventions, Discogs.com, etc.) I am a bit biased…but record stores, like any small business, truly are the backbone of America, don’t you think?

With the closure of big stalwart record shops like Ear X-Tacy in Louisville, Kentucky and others, I always feel like it’s a good thing to urge people to support their favorite vinyl record sellers wherever they may be. Magnet Magazine, thank you for throwing your two cents into the mix with this back-cover listing of excellent record shops. I hope this is a trend that continues as there are MANY deserving and wonderful record shops that could use the exposure.

Check out the delicious retro loveliness of these players! Some of the images are courtesy of Dark Roasted Blend, while others are from eBay, BoingBoing and other sources. The video, which is first, shows the in-car vinyl player in action…sweet.