How It’s Made on Making Vinyl Records

We continue our reports from Vinyl Road Rage tomorrow–there are plenty of record stores still to come from our road trip–but first, have a look at this fun clip on how vinyl records are made, courtesy of the Science Channel’s How It’s Made show.

Embedding was disabled so we can only link to it (see above) but the clip is definitely worth a look. One beef we have with these clips though–is it really necessary to explain that vinyl is making a comeback each and every time the subject comes up?

Other than that, this is a great piece…it’s always fun to see what it takes to actually create a vinyl album–it is NOT easy or cheap to do, so any band that takes the time and trouble to go beyond digital has our respect.

That might actually be a big part of why weirdness on vinyl is so special–somebody BOTHERED, and the fact that the end product is so strange makes the entire exercise more unique. Stay tuned for more Vinyl Road Rage tomorrow.

Alex Day of Chameleon Circuit on Vinyl Records

Chameleon Circuit had not appeared on the Turntabling radar until just today when this fun YouTube video popped up. For anyone with a passing interest in Doctor Who, this band is probably already a known quantity–they write songs about Time Lords, the TARDIS, etc. and have dubbed their sound “Time Lord Rock”.

Anybody obsessed with both Time Lords AND vinyl records is tops in our book. Behold Alex Day of Chameleon Circuit holding forth about the glories of vinyl. Yes, this is a GREAT vid clip for anyone maybe a bit mystified as to why a certain die-hard segment of the population can’t get enough of the black wax. One of us! One of us! Gabba gabba hey.

–Joe Wallace

Peter King’s Home-Made Record Lathe

Lately a lot of my free time has been dedicated to researching how to build a home-made DIY record lathe. I’m fascinated by the video clips I’ve seen of people making their own records using sheets of acetate or transparency film for flexi-discs, cutting records on compact disc, even plastic plates!

The thing about home-made records that is the most intriguing–the end product does not have the indefinite lifespan that ordinary vinyl does–every play potentially reduces the lifespan of the DIY recording. This ‘destructible music’ is a wild concept–and one that is strangely attractive to me. I plan on investigating this further as it would be great to put out some crazy Turntabling Records RECORDS and see what happens.

In the meantime, here’s a look at Peter King–who apparently has a very good reputation in these circles and even cuts records for others using his setup–operating his own DIY record lathe. Amazing stuff. This video is a bit chaotic and crazy, hoping to locate some more instructive or informational clips to pass on here. I think the band having its record cut is some kind of Power Electronics noise outfit, like you’d find in the pages of As Loud As Possible.

Native Instruments Traktor Kontrol X1 USB DJ Controller

by Joe Wallace

I use Traktor in my studio as a sort of hybrid recording tool as well as DJ mixer. I like to pull samples from my own music, mash them up, resample and resequence them to create freakish new music out of my back catalog of weirdness.

I have a Numark Total DJ USB controller that I could use in all this, but I’m lazy and just mash the buttons on the Mac instead. But this Traktor controller could get me back off the laptop keyboard. I don’t own one…yet.

The Traktor Kontrol X1 USB DJ controller is right up my alley for one important reason–there are NO SCRATCHING CONTROLS on this thing. It’s purely for controlling the effects, the settings, the triggers, volume, etc.

This is bewildering to some of my DJ friends. But I cut my DJ teeth in FM radio where controls set up like this were in wide use–it’s a familiar configuration that has the linear approach the Numark Total DJ setup doesn’t.

Maybe it’s MY DAMAGE–I just like that vertical configuration better. There is absolutely nothing wrong with the Numark…but it doesn’t make sense to my FM radio-trained DJ hands the way this one would.

Call me a wingnut. After all, you can get used to any gear setup if you play with it long enough. This just appeals to my aesthetics more, that’s all. I will say this though—I still don’t DJ exclusively in the digital realm. That’s one of the reasons why I like this configuration–I’m using three technologies at once, and the setup on the Traktor Kontrol conforms to the other stuff in my setup. When I buy this, rest assured there will be a test-drive here…

Numark Total Control MIDI DJ Mixer

I purchased the Numark Total Control MIDI DJ mixer to see whether MIDI would work for me in my studio setup. Turntabling is all about the vinyl, but I had some ideas for some bizarre dub experiments with high quality MP3s and lots of echo/reverb effects…and I must say, in spite of my early reservations, the Numark Total Control mixer did the trick, and then some.

According to the Numark hype for this DJ control surface, the unit’s 31 buttons, 20 knobs and 5 faders, “send MIDI data from the controller to your DJ software of choice” which in my case was an upgraded version of the included Numark Cue LE. If you purchase the Numark Total Control DJ mixer, I strongly suggest getting the CUE upgrade or better yet, paying for the upgraded Traktor software (a lite version comes with the Numark Total Control).

For new DJs, the most valuable thing about the Numark, aside from the tricks you can pull with the effects that are found in the upgraded versions of Traktor or Numark Cue software packages, is the fact that this DJ mixer is USB powered.

No, you can’t plug your iPhone into it, and you need the laptop and software to make the mixer work. But if you have a collection of high-quality MP3s (hopefully that you ripped from your vinyl collection, heh) encoded at good rates, this makes for a nice compact setup.

In the studio, I personally prefer a combination of vinyl, CD, and digital files, plus the hardware to run in case my computer setup chooses to crap out on me that day. I don’t gig with the Numark Total Control–there’s nothing at all wrong with it, just my personal preference. I’m a bit more old-school, I suppose, and I like the reliability of hardware….but if you want to go all-digital on a budget you could do a HELL of a lot worse than this. It’s a great starter kit for new DJs learning the ins and outs of spinning and earning money from it.