Vinyl Records, Home Taping, SOPA and PIPA

Warning: rants ahead.

In the 80s, “Home taping is killing the record industry!” was the battle cry of many suit-and-tie candyassed record company execs who felt threatened by a bunch of teenage kids trading cassettes of their favorite vinyl records.

Sound familiar?

Today’s version of that whiny nonsense has culminated in the Stop Online Piracy Act or SOPA for short, plus its evil cousin, the Protect IP Act or PIPA.

The biggest pro-SOPA/pro-PIPA crybabies include the MPAA and RIAA, who have caused plenty of grief for musicians in the past with their blinkered, pee-pants fears of piracy, file sharing and the like. They basically seem to hate any activity that doesn’t result in the cash registers chiming.

That sounds a bit extreme, a bit knee-jerk reactionary, to be sure. But it’s an impression that can’t be avoided in an age where six-figure lawsuits are brought against college kids for file sharing in their dorm rooms.

Here in Chicago in a measure totally unrelated to piracy, SOPA, or the alphabet soup agencies, rumor has it that one elected genius tried to introduce legislation that would make the sale of used CDs illegal.

Why?

With news like this, plus reports of the MPAA crying over the blackout of websites in protest of SOPA/PIPA as an “abuse of power”, it gives me great pleasure to see a resurgence of attitude against legislated censorship (which SOPA and PIPA clearly would bring).

The sad thing about all this is that the hue and cry that brought SOPA and PIPA legislation into being has more to do with the fact that these record industry dinosaurs (who are so afraid of the 21st century verision of home taping) are basically making their final bleating cries as they sink into the music business La Brea tar pits.

The dinos are going down, but they keep on bellowing for dear life.

Once upon a time, Steve Albini wrote, “The future belongs to analog loyalists. Fuck digital.” And now, after MP3s, file sharing and all the rest, damn if he didn’t turn out to be exactly right, albeit in a sort of collector-y way. MP3s and the collapse of the CD market have driven people back to vinyl. Which proves a point.

File sharing, piracy, and the rest of the yellow underwear issues the MPAA, RIAA and the corporate giants are afraid of? They all drive people back to buying music. Actual purchases. Let the file sharing kiddies have their illegal Metallica and Britney Spears downloads. The rest of us–people who actually BUY music, and GOOD music to boot–are still spending money in spite of the sharing.

None of this is news, not to us. But these record industry types need to take a weekend to wring the urine out of their trousers and re-think. Not that they will. They NEVER will. In fact, they’re just going to keep sitting there in their own piss, shivering in fear that another 99 cents won’t be spent on the brain-dead utterances of 50 Cent or Adele.

And they are right–crap music will be pirated forever and ever, because somewhere deep down inside, even the most vacant, uncritical fan of what I call Hollywood-core knows they shouldn’t spend money on that shit. Piracy? No, friends, let’s call it what it is–EVOLVED PURCHASING HABITS. People spend money on Radiohead records offered for “whatever you wanna pay”, they shelled out for Nine Inch Nails four CD sets after getting a full album of the stuff for nothing.

Those stunts–which WORKED–coupled with the piracy of USELESS, STUPID MUSIC should tell us something, shouldn’t it?