Weekend of Holiday Horror Fun

It was a very busy time last week prepping for the Holiday of Horror show at the Portage Theater here in Chicago–the last Horror Society blowout for 2009. Thanks to all who came out, it was a fantastic time! Turntabling debuted scary tees from StrangerTees.com, and sold plenty of Goblin albums and other fun stuff.

The updates start rolling around here as per usual now that we’re no longer scrambling to get things prepped for the show. There’s a whole new year of craziness coming, and Turntabling is ready. Brace yourself! We’ve got new titles rolling onto the site this week, and we’ll have a few other fun announcements too.

How To Start a Mobile DJ Business

Has anyone read this? It seems like the sort of thing we should be selling or at least discussing here on Turntabling, since the turntable is still a big part of DJing even if you’re running time code vinyl. Truth be told, I’ve never read The Mobile DJ Handbook, and would be very interested to know what experienced pros think of it before I took the leap. Sure, I could buy a copy and read for myself, but I know SOMEBODY out there has to have picked this up at some point.

What I CAN do is to dispense a bit of advice from my own experiences as a DJ–mobile and otherwise. Thinking about taking the plunge? Read on. … Continue Reading

How to DJ Advice

Turntabling (the blog) is all about vinyl–everything connected to the collecting, playing, archiving and culture associated with vinyl.

I know the drive-in culture thing I am so obsessed with in these pages seems a bit of a stretch, but since I cut my teeth with vinyl when these things were growing up right alongside in 70s and 80s culture, it seems a natural to me.

But some days, it’s all about the act of mixing together the tunes and keeping people interested in your mix. The DJ aspect doesn’t get nearly as much face time here, but I do like to dispense a bit of my insider knowledge from time to time.

Today I stumbled across another one of those How To DJ sites, but this one actually had some decent information. Sound advice there, especially when it comes to trying to feel out an audience and know what works and what doesn’t.

My main gripe with how-to-DJ advice is that you can’t really learn how to spin music without DOING it. And then there’s only so far you can go before you need to have an actual audience. Want to see how fast you can clear a dance floor? How about how long it takes to bring those feet back onto that floor? You have to learn by doing. … Continue Reading

DJ Skills: Mixing and Scratching

As much as I believe you can’t really impart what it takes to be a good DJ from a book, there are some people who insist that books like DJ Skils: Mixing and Scratching are helpful and useful to beginners. So while I can recommend a book like this to newcomers, I do so with the caveat that you really need to get some time behind the decks to learn the basics in practice, not just theory.

With that in mind, this book IS getting rave reviews. You have to recognize the ambition of a book that starts off discussing the earliest record player including the 1857 French invention of the phonoautograph and Edison’s 1877 invention of the wax cylinder phonograph.
… Continue Reading

Surviving a Marathon DJ Gig

Ever struggled to keep a DJ set tight for six hours? It’s a DJ gig hell-ride, to be sure…but there are a few things you can do to survive a very long set, whether you’re spinning in a club, doing on-air DJ work or playing a party or wedding. I’ve done extended sets in just about every one of these situations–on the air, parties, you name it.

Naturally the setting you’re doing your DJ work in dictates a lot about how you manage a very long night, but there are a few specifics I’ve found apply no matter what. This ain’t a guide to how to make your DJ segues flow or how to keep the club jumping, this is more about keeping your body feeling as close to top form as you can get in hour number four, five and beyond.

Blood Sugar is a huge factor. When you load up with a lot of carbs, sugar or alcohol, the crash is coming, believe it. Your DJ set will be much better if you’ve packed a protein bar or two and keep some kind of carb control snack on hand that’s formulated to level out your blood sugar. You WILL feela difference. The second your energy starts flagging, don’t go for the Red Bull, try eating a small carb control snack or a few bites of a protein bar. Don’t eat the whole thing, try 1/4 of a bar at first and see how you feel.

Foot Fatigue isn’t always a factor in a club or a radio station, but if you’re DJing a wedding, chances are you’re standing on concrete or flimsy tile in those rec halls and reception centers. When I’m on the decks for an extended period, I make sure to pack a small area rug in my DJ equipment box. You can laugh if you want, but it delays the onset of foot fatigue and makes your entire gig much more comfortable.

Hearing Protection seems like a no-brainer to me, but I am shocked by the number of DJs who don’t wear hearing protection during their gigs. If you play longer than two hours you need this more than ever–prolonged exposure to high SPLs is a major occupational hazard for DJs and no club DJ or party spinner should ever play long sets without safeguarding the ears. It saves you in so many ways, but for me personally, a DJ set with hearing protection is much less stressful overall–I find extended high volumes physically draining without the earplugs.

Christian Marclay and Unwanted Sound

by Joe Wallace

My first exposure to Christian Marclay was though my bandmates in Crevice. In 1999, some of the Crevice crew hooked up with Marclay to do an art show in San Antonio, Texas at the Art Pace gallery. The show, according to Uncle Buzz Records (the label home of Crevice, Pink Filth, Paisley Babylon, and others) to be an “audio/visual event using hundreds of Christmas records (Marclay) collected while in town.

Interesting enough to combine DJing with art galleries; moreso that the idea was to create new music from a collection of thousands of Christmas records. Ever since then I’ve been intrigued by Christian Marclay and his body of work. I don’t think DJ culture has been the same since Marclay, in the same way that tape manipulation art hasn’t been the same since John Oswald.

Marclay has been described as a “Dadaist DJ.” He may be a DJ but is far from a club kid knob twiddler.
For starters, he studied sculpture at the Massachusetts College of Art in Boston Marclay has been involved in a number of collaborations with high-profile names in music. The term DJ or turntablist is really inadequate for Marclay–he’s gone far beyond club DJing and studio recording. His concepts involve the physical manipulation of the recorded music on vinyl as well as the aural manipulation of it.

Christian Marclay has worked with John Zorn, Sonic Youth, Otomo Yoshihide and Fred Frith. His work has been shown at the Whitney Museum of American Art New York among other important galleries around the world. It’s obvious that he’s a name in the business of sound, in the same manner as Eno, John Cage, Harold Budd and other experimenters/pioneers.

Check this clip about Christian Marclay and his desire for “unwanted sound”. It’s a fascinating little glimpse into the world he inhabits. “When we play a record we don’t want to hear the surface noise,” said Marclay,”But those are the sounds I’m interested in. I’m interested in the sounds I can get out of this vinyl record.”

Zombie Disco June 20 Chicago’s Viaduct Theatre

Here are the gory details I promised earlier about the Chicago Horror Society birthday bash, Zombie Disco. I’ll be DJing this on Saturday June 20th at the Viaduct Theatre. Admission is a mere ten bucks for all the undead fun you could ever want, plus Italian horror movie soundtrack sounds mega-mixed with disco and other craziness. Expect to hear Goblin mashed up with Daft Punk, Lipps Inc, the Cramps, Morricone mashed up with Aphex Twin, James Brown and Paisley Babylon.

Check the flyer for all the deets and don’t forget to wear your zombie makeup!

Zombie Disco!

FINALLY, the long-awaited update on the Turntabling front…it has been far too long I know, but the madness round here has been both profitable and amusing. On that note, I’ll be DJing the Chicago Horror Society’s one-year anniversary party and Zombie Disco on June 20th at Chicago’s famous Viaduct Theater. Stay tuned for more details.

Yes, it’s been a little while since the last update–things have gone crazy in the Turntabling camp! Rest assured, the updates begin in earnest now that the smoke has cleared. Here are some of the developments I’ve been working on since the last update here–lots of DJ gigs lining up, some photo shoots forthcoming, and plenty of freelance blogging and editing. It’s been a busy few weeks. Fortunately there’s been plenty of interest in Turntabling.net, and we are pleased to report the Russ Meyer bio is almost sold out. THANK YOU to everyone who purchased copies. Your support of Turntabling is greatly appreciated.

I’ll be adding some exciting new things for sale soon. Stay tuned.

Learn How To DJ With A Little Advice From Steve Albini

I haven’t posted much on the actual art or business of DJing here lately so I thought I’d pass along something to amuse. It started after reading Steve Albini’s rant against digital on an old CD copy of Rich Man’s Eight Track Tape. Albini wrote that in a few years, the compact disc would be unplayable on any equipment considered state-of-the-art and modern. It took a lot longer than Albini thought, but with the iPod and MP3 downloads ruling the market now, it turns out he was right in ways nobody expected. Not even him. But I babble…this was supposed to be a rant about DJing, wasn’t it?

I am constantly amused by all the Learn How to DJ websites I run across. I especially giggle at the sites that tell newcomers that they should invest in two turntables as part of their DJ rig as though that’s still standard, required equipment these days. It’s not that you can’t or shouldn’t expect to play vinyl as a professional DJ but every DJ interview you read these days says the same thing. “Vinyl is too heavy. I held out for a long, long time but finally switched to MacBook Pro and Serato.”

One thing I personally am in favor of is using the turntable to enhance your digital setup. You can go digital all day long, but sometimes you have the urge to whip out that old Laid Back “White Horse” 12 inch and mix it up with some Radioactive Goldfish. So why not buy yourself a Technics SL-1200 MK2 and get crazy with the cheese whiz?

When you learn how to DJ the first thing you discover is the gear isn’t going to make you spin any better. I’ve run four hour broadcasts using two clapped-out old decks with half-dead LED displays and played DJ sets using the most shameful home stereo craptacular setup you can imagine. What really matters is does the music sound good, loud enough and is it mixed well?

But I will say this–there is absolutely no replacement for actual, physical media at a club or party. When your laptop bites the dust at the last minute, or that hard drive crashes, or worse yet–your computer simply stops recognizing the hard drives you stored all your tunes on, you’ll be greatful for vinyl or CDs and the players to run ‘em on. Don’t overestimate your digital gear–one day it will take a nice big dirt nap on you when you need it most. Will you be ready to pick up the slack? Steve Albini is right–the future does belong to analog loyalists, even if only for those who were smart enough to pack some vinyl and a player for when their laptops quit working at the show.

DJ Paisley Babylon Fear Mix for HorrorHound

Since I’ll be attending the HorrorHound con March  27-29 in Indianapolis with the Kitley’s Krypt crew, I thought it would only be appropriate to whip up a special DJ mix in honor of the con…the Spacesuit Sounds FEAR MIX features an exclusive Paisley Babylon mashup/remix–Goblin Vs. Daft Punk. It kicks off a great DJ mix of tunes including stuff from the Blacula soundtrack, assorted giallos, the giallo-obsessed Skinny Puppy, and much more. Download or listen and please don’t forget to support the bands–if you like the trax, download ‘em via iTunes or Amazon where available.

As regular readers might guess, I’ve got a huge collection of giallo soundtracks and related sounds, so I figure it’s only a matter of time before I get off my duff and start spinning at Chicago horror events and related outings. It will be great to mix and mash for a new crowd…the last time I did anything so specific there was a nice cult following involved and I really do love playing for that kind of an audience…if you like the sounds presented in the Fear Mix edition of Spacesuit Sounds, by all means get in touch.

(I have very reasonable rates for small and medium-sized events if you’re interested in booking…)

As usual, this DJ mix is made available to promote my work as a DJ as well as the artists played. Copyright holders, if you object please get in touch, removal will be swift.