The Most Expensive Record Ever Sold? 1966 Velvet Underground and Nico Acetate

by Joe Wallace

Since I ran a feature on what could possibly be the world’s most ridiculously expensive record needles, it was only fitting that the world’s most expensive vinyl also get a look–after all, what do you play with a record needle that cost 20 thousand dollars? How about this acetate of The Velvet Underground And Nico, which sold on eBay for more than $25,000?

An acetate, for those who don’t know about the record production process, is pressed before the master is created so vinyl records can be mass produced. It’s used as a reference so an engineer can tell how all the duplicated vinyl records will sound once they roll out of the pressing plant.

According to the fascinating Popspike.com, this acetate of The Velvet Underground And Nico was successfully auctioned on ebay for $25,200 back in 2006, making this one of THE most expensive record sales ever, right next to a rare copy of Pink Floyd’s Meddle album pressed on blue vinyl for $12K and a “SEX PISTOLS – God Save the Queen – GENUINE A&M AMS7284!” for over 12,000 British pounds.

This Velvet Underground acetate looks to be the most likely candidate to be played with the most expensive record needle in the world.

Shure Whitelabel Integrated Phono Cartridge

A hundred dollar record needle? Well, the DJ in me wants to correct that line to read phono cartridge, but yes, this Shure Whitelabel integrated phono cartridge DOES sell for $100+. Since it’s aimed at party DJs and club DJs, it’s built for heavy-duty use rather than casual record spins–there’s something to be said for a record needle built to withstand an evening of abuse in the club.

And since a DJ can write off the expense of high-end record needles as a legitimate business expense, why not?

Replacement needles are essential for any vinyl junkie, but even more so for the people who spin for a living. What some like about this one, aside from the gold plated connectors or the forward mass design made for better center-of-gravity conditions for playing and scratching, is the color scheme. It’s kinda hard to see a black phono cartridge against the black vinyl in the dim light of a club.

Some record lovers thing a record needle is a record needle. Others are quite picky. We fall somewhere in the middle. It’s enough to be able to spin the LPs at home with decent sound quality from a typical, well-designed phono cartridge…but anybody who wants to play for hours on end three or four nights a week? A rugged design plus the Shure Whitelabel cartridge’s adjustable overhang (50mm – 54mm to help maintain the forward and backward adjustment of a standard-mount headshell, letting you tweak the adjustment whether you’ve got an S-arm or a straight-arm turntable) means you should probably take a look at a couple of these.

Vinyl Art by Daniel Edlen

Some vinyl uber-purists might cringe at the idea that record albums are being used to create original works of art rather than take another spin on a turntable somewhere, but let’s face it–there are millions of records everywhere, and not all of them are in pristine condition, know what I mean?

That’s why I love the idea of using vinyl records in art–there’s a landill somewhere that will be lighter as a result, and those of us who love vinyl above and beyond what’s contained in those grooves the needle hits tend to be fans of this stuff. … Continue Reading

Vinyl Road Rage Update

by Joe Wallace

The weekend was full of interesting diversions–I took a side journey into the world of flea markets–the Texas vinyl collector’s old reliable alternative to the indie record shop. People who collect vinyl in Texas know flea markets very well and there are many bargains and rarities to be found. I’ll post a report on that soonest. I still have two excellent Austin record shops to write up and a look into the San Antonio market, too.

A good deal of Saturday was spent combing the flea markets, but the nighttime was spent watching Ladies and Gentlemen, the Fabulous Stains, which I can’t find ANYWHERE as an LP and while Amazon was offering downloads of the soundtrack when the DVD remaster came out, a rights dispute forced the tracks offline. … Continue Reading

Milty Zerostat: For Fanatics Only?

Does anybody reading this blog actually OWN one of these? Behold the Milty Zerostat, advertised as a dust-remover for vinyl records. It shoots out a stream of ions when you pull the trigger–ions that are supposed to rid your LPs of nasty pops and clicks caused by dust (which is attracted by an electrostatic charge on your records).

The Zerostat, according to the marketing hype, removes the electrostatic charge that attracts the dust. Zap the album, clean it off, and play away! So sayeth the hype. Does this actually work? I’d love to get a first-person report. At a triple-digit price tag, this one looks like it’s a collector-only gadget, but I’d love to see it in action and hear the results.

YouTube Fun: How Vinyl Records Are Made

This clip is just one of the many you can find on YouTube on our favorite subject. I couldn’t believe how many of these clips are out there! This is defintely an amusing timewaster. Now if we could just get a YouTube vid on how to master digital recordings specifically for vinyl…now that would be a contribution for the betterment of all mankind.