It reads a lot like our own Vinyl Road Rage posts, so I was naturally happy to see someone else detailing their record shop experiences, turning the rest of us on to new-to-use places to dig through the crates.

Rosenblatt’s bio on the site reads (unintentionally) a bit like a superhero About Us page–by day, he works as an architect as the head of Springboard Design. By night he’s a vinyl blogger and definitely in love with LPs and has plenty of good intel on Philly record shops and more.

Without gushing too terribly much, I highly recommend this vinyl blog–my only gripe is that I wish there was 2000% more of it. But it’s a damn fine read, whatever the length. He seems to post a bit more frequently than Dust and Grooves, but the posts are every bit as enjoyable. One to be bookmarked, for sure.

–Joe Wallace

One recent question had to do with grading vinyl records. How does a newcomer to record buying and selling accurately judge the quality of a record or get a good idea of the record album’s condition as described for sale on eBay, Discogs.com or Etsy?

An Introduction To Vinyl Grading

Many record sellers use the Goldmine standard or a variation of it. Basically, Goldmine standard grading runs from Good, Very Good, and variations of VG (Very Good Plus, VG++. etc.) to Near Mint, and Mint.

Grading applies separately to album covers and the vinyl records themselves–or at least it SHOULD.

Some use an alternative system of vinyl grades like “Clean” or “Exceptionally Clean”, but some of us in the vinyl collecting and selling community distrust such descriptions because they seem to be trying to hide something.That is obviously not true in every case but for some buyers it can be a red flag.

No matter–nobody forces you to buy vinyl without inspecting it and if you’re uncomfortable with a seller’s grading system, don’t buy unless you can inspect.

Mint condition records are generally those that have never been played or seem to have never been played. A conservative grader is your friend when it comes to buying records on line, and those who claim that a vinyl record is “Mint” are usually saying it’s never been played or played once.

That does NOT mean “still sealed” but obviously sealed records are in Mint condition unless there’s been poor storage and handling.

Rather than take the time to run down the entire list of possible record conditions and hope it’s been communicated properly (we WILL do that in another post, this is a GETTING STARTED guide) there is an easier way for you to begin learning what record grading is all about.

Find a record store that sells used vinyl and lists the condition of that vinyl on a label on the sleeve. Study what that record store considers to be a “Good” condition record. Records in Good condition are often anything but.

Now compare what that store considers to be in Near Mint condition. See the vast difference? Once you get an idea of what the extremes are–again, according to THAT STORE–have a look at the Very Good condition records and compare them with the Near Mints.

You may begin to notice less difference in some cases between Very Good or Very Good Plus and Near Mint.

That’s because every record grader, like it or not, has their own pet peeves. Some will decide one vinyl LP that is considered Near Mint by one grader is actually Very Good Plus album because of a certain type of scratch, nick, or other type of wear.

Conservative record album graders–the fussy ones, the people who don’t give away Near Mint status very easily–are your best friend when it’s time to buy online. Near Mint records are not always pristine and perfect, but Very Good records aren’t always scratchy or obviously worn, either.

What you’re after is a better idea of the range of tolerances in your own purchasing and/or selling habits.

What does Very Good or VG+ mean to you the buyer when you play the record? Do you care if the album is NM or NM-?

Some do and some do not. It’s all down to personal preference. In another blog post (several, I expect) we’ll tackle the more in-depth complexities in record grading. In the meantime, the more records you study yourself, the better you’ll get at determining condition and whether you’re personally comfortable buying an album in the specified condition.

Don’t forget that this is NOT an exact science and your preferences have much to do with how you interpret the grading system. I’ll be writing much more on this subject in the weeks to come.

–Joe Wallace

I had blown through Bloomington, Indiana fairly quickly with a mind to making Nashville in the same night (day one of Vinyl Road Rage is always super-ambitious for some reason). Along the way I phoned home to get some map support from my girlfriend, Jen and together we found this record store in Owensboro, Kentucky.

It’s good to see people buying and selling vinyl in out-of-the-way places, and Owensboro, Kentucky was a bit off the beaten path. But a quest to find weirdness on vinyl and rare titles means taking the side journeys when you can.

Moneytree (which is an odd name for a book and record vendor, I have to say) has a strange way of displaying a great deal of its vinyl titles–the best albums are mounted on the wall.

That’s not so unusual for the rare ones and hard-to-find records, but they’re usually not quite so high up! It was definitely a challenge to look at them in some cases, and every section of the shop had vinyl along the walls.

And yes, you’re seeing that correctly, those records are right near the ceiling.

Unfortunately, there wasn’t a lot of weird, rare or hard to find vinyl there. If you like classic rock, funk, singer-songwriter LPs or other 70s and early 80s-era vinyl this shop would be worth a stop, but for a prog, new wave, or obscurities collector, chances are good you’ve already got what you need, no surprises here.

A new collector might do well at Moneytree as long as they are looking for the previously mentioned titles. The store was friendly, well-lit, but a challenge to browse for all those near-the-ceiling albums. Naturally they did have a regular record bin, but the really good looking copies seemed to be reserved for the wall space.

I can’t say it was bad to stop here, as you’re just about ready to pull over on a trek from Chicago to Nashville…but my vinyl finds on Day Two of Vinyl Road Rage Four would prove to be much more exciting.

There’s much more Vinyl Road Rage record store reviewing to come..this is only the beginning! Up next, record stores and flea markets in the Nashville area…and some outrageously cool shops in Memphis, Tennessee that cannot be missed.

–Joe Wallace

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If you’ve read this site for any length of time you’re no doubt familiar with our obsession for WTF album covers. There is something wonderful about horrible, misguided, even offensive album covers. Trying to get inside the minds of the people responsible for the atrocities that grace album covers is half the fun of looking that them.

Naturally, the other half of the fun is exposing other, unsuspecting people to this stuff and watching them hurt themselves laughing.

But at some point, the album covers are not enough, and hence Turntabling has expanded its search for the bizarre, the unusual and seemingly from-outer-space records, too. I call them WTF records because that is basically your first reaction.

A WTF record doesn’t have to be BAD to qualify. There are plenty of good, quality WTF albums out there in the same way as there are enjoyable WTF movies, artwork, any consumer production you can think of.

Sometimes a WTF record is truly awful, and that’s how it earns the label. For example, who would want to listen to an entire record of Slim Goodbody nutrition sing-a-long music? But as a WTF album, Slim Goodbody’s “Health Is Wealth” is a real find–where else are you going to hear tracks like “Large, Lovely Liver” or “You Don’t Need a Brain”?

Sometimes the WTF factor is connected to who recorded the album. A record of Beatles covers is nothing new, but when Shatner does it, you’ve GOT to hear it at least once. The WTF value is at an all-time high when someone famous for things other than their relative merits as a songwriter is at the helm.

Isn’t that why the Grasshopper album by David Carradine is so collectible? Or Leonard Nimoy doing scary versions of old folkie tunes?

Then there are the weird records that provide a shock of recognition–maybe you didn’t know that before Dinousaur Jr. took off, they were just called Dinosaur.

When you spot the Homestead Records compilation The Wailing Ultimate featuring the track “Repulsion” by Dinosaur, you’ll get that WTF look on your face when you hear J. Mascis open his mouth and start in on his trademark wail.

Or perhaps you weren’t expecting to see a vinyl record featuring none other than Aleister Crowley? Discovering “Blue Sunshine” by The Glove is actually a side project by The Cure is a WTF moment for some.

And some of the most fun WTF albums are by far the weird ones–Marshall McLuhan’s The Medium Is The Massage, Moog reworkings of 70s butt rock classics, Sun Ra, TV preachers on vinyl, you name it. But whatever your WTF vinyl record poison, these albums are often neglected, unheard, or so obscure as to not get their proper due.

Turntabling aims to change that, one record at a time. So in addition to WTF album covers, we’ll be including a lot more coverage of WTF records here, too. Stay tuned, folks. It only gets weirder from here.

Lately I’ve been hard at work designing and silkscreening cotton/canvas bags for crate diggers and vinyl junkies. I’ve got several designs now, two of which are currently for sale on Etsy. These bags hold any standard size vinyl records from 12-inch double LPs to seven inch singles. These are GREAT for vinyl shopping and convention-going.

One of my biggest complaints about doing record shows is that carrying around your vinyl finds is a major pain unless you’re toting a backpack. These cotton/canvas vinyl record shopping bags are great for shows whether you’re at a horror movie convention or your local record swap.

The images are linked directly to their respective sales pages on Etsy or you can check out the Skull Star Crate Digger’s Vinyl Record Shopping Bag or my personal favorite, the Aleister Crowley Beast 666 Crate Digger Bag pictured below.

If you find these bags are sold out when you click, please get in touch with me directly (jwallace at turntabling dot net) to make arrangements as I  usually have plenty in stock to sell at conventions and shows. Naturally, the vinyl seen here is NOT INCLUDED, heh. Did I mention these are only $9.50 each with free shipping in the USA?