When this seven-track vinyl EP by Elephant Stone arrived in the post, I knew I was in for something good. For starters, the band makes sure to point out in the press materials that it’s an analog recording. 2-inch tape to 1/4 inch before it got onto vinyl.  My kind of recording aesthetics, those are.

Then there’s the record itself. If Shindig! magazine doesn’t get wind of this to further spread it to the masses, I’ll be very disappointed. The Elephant Stone Glass Box EP is chock full of psychadelic jangly pop that does indeed call back to the swirly, radio-friendly pop psychedelia, without being at all annoying about it.

Some of these genre-influenced bands get weighted down by their own musical obsessions, but in Elephant Stone’s case, it’s more about taking an influence and making it your own rather than aping it by rote down to the waistcoats and matching hairdos.

There’s some top-notch songwriting and playing on tracks like the moody Lies, Lies, Lies and the perky Strangers. On the B-side, Yesterday’s Gurl is an excellent slice of yearning with a great hooky Smithereens-style guitar riff tying the song together. Has to be said, 360 Degree Music has done well in adding Elephant Stone to the roster; this band provides a completely enjoyable listening experience–not a single bummer song on the vinly–and that’s no easy feat.

That said, the final cut Dhun (available for free on the Elephant Stone official site)  is a total departure from the rest of the EP. It’s probably not the first track you should hear if you’re trying to decide whether to buy.

Instead, go to Pardon My Hindi and stream the Strangers and Savage Soul cuts–great stuff and totally representative of the band. Then you’ll know why you should buy this record now.
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