United Record Pressing has an interesting section on mastering for vinyl. There is plenty of advice there about the physical limitations of vinyl as a medium and what bands can do to make sure they get good fidelity from the finished product.

My only question about this section–having been written in 1997, is what has changed and updated since that time? Surely not the laws of physics with regard to how hot your master tracks can be before they overload and distort, or when too much treble becomes, er, troublesome. (Treblesome is not a word. But I almost used it here. Heh.)

Fortunately there are more recent discussions on the mastering to vinyl issue. Gearslutz.com has a thread from 2008 and another one here. CustomRecords.com throws its two cents worth in here, so you’ll have plenty to chew on. Continue reading Making Great Vinyl Records–United Record Pressing on Mastering For Vinyl →