At a recent Paisley Babylon gig at the Horror Society’s two-day film festival in Chicago, I did an all-horror related live mashup and turntablist multimedia set using a pair of Audio-Technica ATLP 120 USB turntables. I am pleased to say these Audio-Technica turntables worked quite well and give me good, consistent performance.
I took delivery of three of these AT USB turntables back in the middle of summer, but hadn’t had a chance to put them through their paces in a live setting until October when I started doing DJ Paisley Babylon gigs and performing Paisley Babylon Beautiful Chaos shows.
I am a big believer in these turntables after having used them in my October gigs here in Chicago. In spite of the weight–the AT120LP USB turntables have a built-in pre-amp so you can select line-level output or phono output–these were wonderful.
Perfectly suited for my needs as I was feeding line-level out from the turntable into an echo unit for life dub and mashup effects I could hold in my hand and make a big goofy show out of using. It’s a hell of a lot of fun to manipulate vinyl in this way!
My only gripe with these turntables has to do with the switch for selecting line out or phono out. Beware when transporting them as the switch is in the rear of the unit and is susceptible to breaking off if it gets jammed up against other gear as you’re transporting to short distance gigs. I threw mine in the back of the vehicle too close to my vinyl crates and one pothole and a jostle took out the switch on turntable #3. My fault for not packing more carefully, but something to keep in mind.
At the end of the day I can highly recommend the Audio-Technica ATLP120 USB turntable. It has much going for it and I’ll be getting good use of these for a long time to come.
Yes, I own one of these. No, it is NOT pro DJ gear or high end audio equipment. The ION USB turntable is basically just a tool to get your vinyl converted to MP3s quickly and without too much fuss. When I do actual DJ work, I prefer to spin the vinyl records themselves in addition to my digital library of sounds, but for travel I enjoy plenty of converted albums thanks to the ION.
They just are NOT going to release those hilariously corny (and quite fun) born-again Christian new wave albums by Steve Taylor, Servant, or The Seventy-Sevens on CD, and if they have, I predict they will sound wretched compared to the vinyl. Why I have an affinity for those particular releases has a lot to do with why I love those old Isaac Hayes disco records and the Mystic Moods Orchestra, but that’s another story for another time.
The ION is under a hundred bucks, gets the job done with software included and keeps me traveling with all the hardcore evangelistic new wave quaalude music I can stand. Why born-again Christians ever thought that futuristic quiffs and syncopated synth fills could disguise the fact that they were trying to save you from THE DEVILLLLLLL is beyond me, but the music is still pretty fun. It’s like listening to a Karen Finley album, except you feel dirty in a completely DIFFERENT way.
It’s not OFFICIALLY the world’s most expensive record needle, but at 10K, the Clearaudio Goldfinger is squarely in Donald Trump territory. Sold by NeedleDoctor.com, the Goldfinger is 16 grams of pure gold, with a boron cantilever. Are you going on one knee for some sweet, sweet DJ? Don’t waste your cash on one of those useless finger trinkets sold in shopping mall diamond shops, get this bit of precious metal instead. It’s functional, it’s beautiful, and it probably sounds like nothing on earth. Too bad it costs nearly as much as you’d get selling a kidney. What’s the first thing you’d play after scoring one of these? For my money, it would have to be the More Beer album by FEAR.