Category Archives: Featured

Selling Vinyl on Turntabling

Turntabling does indeed sell vinyl records–rare vinyl, hard-to-find LPs, strange records, interesting and out-of-print albums, collector’s items and generally awesome records. A lot of extremely collectible records pass through my collection and wind up for sale at horror and sci-fi fan conventions, on the Turntabling shop, in my Etsy store (see the links in the righthand column) and elsewhere.

There are two reasons why people buy from Turntabling. One, I do pride myself on finding rare and obscure vinyl. I have interests that span a variety of genres including industrial music, electronic/experimental, dub, reggae, psych, spoken word, and new wave. I look for things I myself want to own, and often wind up with duplicates for one reason or another. One of those reasons is that I buy record collections (get in touch with me at for more information).

But the most important thing you should know about Turntabling–the proceeds from all these record sales go to fund Vinyl Road Rage and the Turntabling site in general. When you buy from Turntabling, you’re supporting the site financially–that’s something that’s really important to me and I truly appreciate that support. Thank you to all those who buy vinyl and CDs from Turntabling on Etsy, Discogs, at the conventions and elsewhere. You are the reason why the site still exists!

–Joe Wallace

Explore the Turntabling Collection vinyl records for sale on

Criminale: Rare Italian Soundtrack Music from the Flipper Vaults

This very limited edition CD/LP combo release features music from the Flipper library, and what a collection it is! Not a clunker in the bunch. This is Italian thriller/giallo/psycho funk music from some of Italy’s best film/television composers including Alessandro Alessandroni, Ugo Busoni, and the mighty Fabio Frizzi.

I strongly recommend this release on Penny Records. If you own even ONE Easy Tempo LP or are collecting Italian soundtracks, you owe it to yourself to check out both volumes of this series before they are gone for good.

–Joe Wallace

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Another Crazy Vinyl Blog

…in this case that is quite literally the name of the blog, and I am an absolute sucker for stuff like this. Another Crazy Vinyl Blog is recently updated, has a nice back catalog of posts to browse through, and not crammed full of the same old album covers that have made the rounds again and again.

This is a new discovery of mine and I’m looking forward to diving in to see what mad treasures await. I DID find one cover on this site that appears to feature a nude Judy Collins…no, strike that, it DOES feature a nude Judy “Send In The Clowns” Collins. The image below is courtesy of Another Crazy Vinyl Blog. Judy Collins fans, avert your eyes!

Yes, Another Crazy Vinyl Blog is among my latest vinyl-bloggin’ obsessions. THANK YOU FOR EXISTING!

–Joe Wallace



Girl Detective Interview

Rani Woolpert and Jay Oppman are Girl Detective, a Chicago-based postmodern/alt-rock duo who create lush, often shoegazey sounds that call back to the best of the 80s-era 4AD bands. Since Woolpert featured Turntabling’s “house band” and DJ multimedia project Paisley Babylon a while back during her stint on Transistor Radio, we thought it was high time to return the favor. Especially since Girl Detective performs live on Monday, April 30, 2012 at 8PM at Martyrs in Chicago located at 3855 N. Lincoln Avenue.

Describe the Girl Detective sound–your press kit defines you as an experimental, cerebral…listening to tracks like “Life’s A Movie”, it would be easy to associate GD with the as-of- then defined “Post-Modern” sound, that later got shoehorned into “Alternative”. But what are YOU thinking?

Rani: Boy, for me that’s a super tough one. I listen to tons of music, but have never been very good with labels or genre tags. I’m going to leave that to Jay to elaborate on any specific titles. People who have heard our music have used those labels you mention, and that is where we got those from. I saw it and thought… yeah, that sounds like us. I can say more of where we come from, though, as far as our influences.

When I first heard Jay’s music, I had been working with someone else to write songs and was having difficulty trying to create melodies and vocals. I was using this other musician’s songs, and they were more electronic and I felt like I needed a solid guitar sound in there to give me a background to come up with vocals.

I did a Craigslist search through musician postings and found Jay on there and linked to his page. I had been looking for someone with a Robin Guthrie (Cocteau Twins) – type guitar sound, and when I heard Jay’s samples online, I was totally blown away. His music was really dark, and made me think of Depeche Mode as well, which is one of my all-time favorite bands, and I was really impressed with his guitar playing and just the overall sound. I contacted him and we did a little with that other project, but I said I’d also like to see if I could try writing some vocals over his music, as I thought it was just so cool! A bit more about what I’m into… I listened to those other bands I mentioned, but also to Sisters of Mercy, Bauhaus, New Order, Siouxsie and the Banshees, Jesus & Mary Chain, The Smiths—just so many of those fantastic 80s bands.

They have been in my bloodstream, you could say, since they were part of my teen years and I’ve never been impacted by music in the same way since–that is the language I speak. In the creation of a vocal sound, I don’t try to go for anything. I’m just singing, but I think what I love does come out someone in there. I think Morrissey, Dave Gahan, Martin Gore, Elizabeth Fraser (Cocteau Twins), Peter Murphy and Sinead O’Connor are all mixed in there somehow, as those are the people I most sing

I can say more about what I’m going for as a person coming from a visual arts background. I have a background professionally in motion graphics and some audiovisual art direction and I have an interest in creating/crafting rich environments like Bill Viola has done with some of his sound/video installations and like Laurie Anderson was doing with her performance art that also integrated A/V and kinetics. I sort of live in this rich dreamscape in my mind and it’s multi-level.

Jay’s songs are a rich soundscape and they already have that going on. For me, as a vocalist, I want to tell stories and go to some other place with what I’m doing. So, when I come up with vocals (which are usually completely improv) I am kind of accessing that state to make them at all. And, I think that the music is actually being received that way, as that is some of the feedback we’ve been receiving—that sense of otherworldliness or something. It’s astounding, as I have that in my head, but would have no way of knowing how to put that out musically. But I think it’s just happening. What would you call that genre?? Again, that’s a tough one!

Jay: If music was a drink and you wanted to order a Girl Detective you would mix The Cure, Siouxsie & The Banshees, Cocteau Twins, Depeche Mode, Joy Division/New Order, The Church, Dead Can Dance with maybe a touch of The Beatles and Pink Floyd.

Girl Detective is a duo, so there’s obviously a bit of a challenge re-creating the lush sounds of your studio work on stage. What do you and bandmate Jason Oppman do to keep the music as multi-layered as what you’re doing in the recording studio? Or have you stripped the sound down to a more basic approach for the live gigs?

Rani: Yes—that is a challenge. Our sound is a really rich tapestry and we want people to experience the depth of it at a live show. I know when I go to see music, I really want to be taken out of my day-to-day thoughts. Just like with movies. I want to live in that world for a while. And, we want to do that with our live shows—to envelop the audience within a blanket of sound. So, we wouldn’t want to strip the songs back any. Actually, kind of the opposite is true. Vocally, I’ve been pleased with my voice just given some house reverb, although we are working within our own arsenal of tools (Jay has tons of expensive gear!) to create a more fine-tuned solution for the live sets.

Jay: As Girl Detective is in the early stages, we are using our backing tracks of drums/bass/piano/synth from our studio recordings and doing all guitars and vocals live. As we evolve we may play bass and piano live, too. I would imagine for certain shows we may possibly go with a stripped down version of a few songs depending on what type of venue and event we are playing, but at this point we want listeners to first hear the songs with the lush sound before taking any layers away as we want them to become familiar with our sound/style.
Continue reading Girl Detective Interview

WTF Album Covers: Remy Ma Shesus Khryst

It’s quite tempting to say “there are no words” for this stunner of a crap album cover, but any regular reader of Turntabling knows there will be PLENTY of words.

The bottom of this atrocity declares, “Yall bitches workin on yall albums go back to the studio immediately.” With a little luck they’re planning on better grammar and punctuation on their album covers than poor Remy Ma. Never mind the punctuation though, her work reveals her to be one of those monotone mouth-breathers, bragging away over four bars of drum loops and string samples that repeat ad nauseum, with the usual three or four themes (sex, money, I feel good, I love you) on infinite repeat. “Igottanothermouthful/ofrehashednonsense/anotherIwannadoit/cominatcha”.

No, those aren’t the actual lyrics. But they will be soon.

This album cover really only screams one thing–“Me too!’ Sorry, Remy Ma, but Johnny Rotten AND Britney Spears beat you to the crucifixion gag. Your insistence that “bitches…go back to the studio immediately” is advice you should be taking yourself, especially in the art department. Ahh well…if there weren’t shitty album covers, we’d have a lot more scrambling to do in the writing of this blog, now, wouldn’t we?

P.S. It occurs that since the packaging of this product refers to it as a DVD mixtape (what?), it doesn’t really count as an ALBUM cover, per se. So sue me.


Record Store Day 2012

Record Store Day 2012 was, for Turntabling at least, a great success. Scoring rare/weird and unusual vinyl isn’t something we limit ourselves round here to one day a year, but it seems that some vinyl sellers like to save some of the REALLY good stuff (RSD exclusives aside) for the big day.

In Chicago, RSD started quite early thanks to Dusty Groove America’s 8AM opening time. That might sound too early on a Saturday morning, but when the lines are forming outside Chicago record stores at 7AM and many of the stores not opening til 9 or 10, the Dusty Groove plan is actually quite nice for hardcore vinyl lovers.

RSD exclusives were definitely what these people were after, though some of those exclusives are pretty bewildering. An RSD re-issue of The Breakfast Club soundtrack? Are people CLAMORING for a brand-new version of this on vinyl? So be it…

Unfortunately, the most lust-worthy exclusives can’t be found on these American shores, and many were disappointed to learn about that. ‘Tis true–those UK editions stay in the UK, friends. If you’re after that Phish RSD vinyl, you’ve got a good chance of scoring one on RSD (you can have ’em all, jam bands don’t really float the Turntabling boat) but if you were hoping to score the Satanic Rites of Dracula/Dracula A.D. 1972 limited edition, you went home with a great big death metal-style frowny face.

There are some, including our very own Chicago Reader, who feel Record Store Day has jumped the shark because of all the “who cares?” reissues, long lines and general hullaballoo associated with the day. But when it comes to supporting your local record shop, Record Store Day is a crucial event.

Never mind the goofy re-releases you can still buy used for more affordable prices and all that–Record Store Day is something the shops have needed for quite some time and as such you’ll never hear us dissing it. If you want to continue having a record store in your area, events like this can’t be marginalized. It’s like getting cranky about the price of a Guinness at your favorite band’s live show–if you want to see ’em perform, you’re going to pay that extra two bucks for the stout. It’s just part of the biz, is all.

Here are some of the sights the Turntabling camera caught on Record Store Day 2012 in Chicago:

Laurie’s Planet of Sound was nice-n-orderly on RSD 2012, thanks to a pretty savvy head-counter/door opener setup. No fire marshall problems for THIS record shop. Also, some really excellent rare stuff in the stacks for the eagle-eyed crate digger.

Bravely manning the door at Dusty Groove America. We salute you, DGA crowd control volunteer–hope you survived the onslaught with no incidents to report!

All the crap nobody wanted from last year?

The people below were waiting outside at 7AM-ish. The hardcore vinyl junkies of Chicago, waiting outside Reckless Records in Wicker Park. Directly across the street was a different line of people outside a shoe store, waiting for god knows what.

How To Start Collecting Vinyl Records

Seems kind of pointless and stupid for a blog post, right? But stop for a second and ask yourself what got YOU into collecting vinyl?

Some people think that vinyl records aren’t made anymore (hah!) and some feel “it’s too late” to start collecting from scratch. Still others believe you can’t buy a new turntable anymore (double hah!) and don’t feel up to the challenge of finding a used one.

Let it be known, that all three of those notions are myths. New vinyl is being cranked out so fast you can’t keep up with it all–both brand new titles and reissues.

New turntables are available for as low as $99 and have USB connections for those who want to digitize and convert to MP3s. And you CAN find an old-school quality turntable without spending a fortune. Personally I’d avoid pawn shops and stick to Craigslist, yard sales, thrift stores and record shops. Do you need a turntable to start collecting record albums? Not REALLLY. Some people collect LPs and picture discs for the artwork alone, and I personally have purchased vinyl records  on the strength of the covers or artwork alone. I love displaying them as well as listening to ’em.

I got sucked into collecting vinyl because around 1996 I got interested in building a collection of obscure new wave music, and there is a LOT that never made it to CD or digital files–and possibly never will. I decided to take the plunge after attending the Austin Record Convention and finding an LP by a new wave band called Amoebas In Chaos. The track “Lude Behavior” cinched it for me–I had to start collecting these albums!

Buy one vinyl record that you’re really lusting to hear and you’re probably hooked. It’s that easy. If there’s a genre obsession of yours that’s full of rare or obscure bands that never made the jump to digital, you’ve got ages of fun ahead of you. There is nothing in the world like discovering a band you’ve never heard before that’s in the same musical zip code of other groups you like…one you’re sure you’d never have heard otherwise without that serendipitous record store excursion. Can you really afford NOT to be collecting vinyl?

–Joe Wallace

Turntabling in HorrorHound #27 “The Sounds of Argento Part 2”

by Joe Wallace

Turntabling strikes again in the pages of HorrorHound magazine. In issue 27, the Vincent Price edition, you’ll find part two of my Sounds of Argento article, which has gotten some very kind words from horror soundtrack lovers across the country. THANK YOU!

Turntabling has long been proud to be associated with Horrorhound in any capacity, from simply attending the Horrorhound Weekend shows to running the Turntabling booth there, and now in the pages of HH these last two issues along with regulars Jon Kitley from Kitley’s Krypt and Matt Moore who does the always fun Tapes of Terror column.

HorrorHound doesn’t have a regular soundtrack column, but they might be tempted to add one if enough people wrote in to suggest such a thing. Drop ’em a line at In the meantime, have a look at HorrorHound #27 and not just for the Sounds of Argento article–this is a VERY solid issue!

Secret Stash Records–A New Vinyl Goldmine

Soviet Funk Secret Stash Records

A few weeks ago, Secret Stash Records dropped some sweet vinyl releases in the Turntabling mailbox. Things got crazy round here but now that the dust has settled and there’s been a spare second to listen to the releases from this Minnesota-based label, I can report that this is a label to watch for vinyl lovers–especially if you’re into funk, soul, and related sounds.

Secret Stash’s most important releases so far, for my money, are the Porno Groove collection (on pink vinyl!) and the Mad Dog’s Hustle original soundtrack record. I loved these two titles and strongly recommend them. Look for reviews of both coming later this week along with another Secret Stash LP.

The image above is for the latest release on Secret Stash, Soviet Funk Volume One. I am very excited about this album, and you should be too. Stay tuned, vinyl lovers. And be sure to check out Secret Stash for the latest news and info. This label is doing great things in 2010!

–Joe Wallace

A Fistful of Soundtracks

a fistful of soundtracks blogJimmy J. Aquino is a busy guy. He programs an internet radio station full of soundtrack music, does graphic novel work and runs A Fistful of Soundtracks which is heavy on the graphic novel stuff (Aquino’s Death to Skinny Jeans) but also full of soundtrack, television and cinema talk.

We’re new to this blog, but digging it very much. Highlights include a great discussion of the Superfly soundtrack (plus the awesome image below–we did NOT take this, the image is courtesy A Fistful of Soundtracks. Kudos to Jimmy Aquino–this is a worthy fellow soundtrack blog and the latest addition to the Turntabling blog roll. RECOMMENDED!

superfly-soundtrack-8-track tape michael-a-gonzales Continue reading A Fistful of Soundtracks