I found this amazing little oddity referenced at The Walrus. It’s a CD cover for an album by Moldover which is–I am certain–the first of its kind. The artwork is actually a circuit board that is a working theremin. No cheesy toy, this–there is an explanation video showing the theremin/CD art at work and it sounds FANTASTIC. I am stunned by how great this is–a great marketing gimmick that is also a no BS musical instrument. Both retro and future at the same time, this wins hands down as the coolest thing I’ve seen all year in terms of indie music innovation.
Category Archives: gear
Numark Total Computer DJ in a Box
Aspiring latop DJs, take note…here’s a complete solution from controller to soundsystem interface--AND it’s priced to move. This starter kit is simple to learn–the Numark Total Control mixer is simple to learn. It uses Traktor LE, which is really all you need to get started learning the ropes. That said, be prepared to fork over the cash to upgrade to a full version of Traktor, as you’ll want the extra tools once you’ve mastered the basics.
I can’t vouch for the quality or lack thereof when it comes to the headphones–I only use Sony or Sennheisers. The DJ i/o box is designed to get your signal from the laptop or desktop (shudder) to a mixing board or PA system.
Your signal is run through RCA jacks into the soundboard…don’t expect XLRs out of this package, but again for those getting their feet wet in the DJ world (or DJ podcasting ) this is a nice compact package.
I strongly recommend you use a backup system including CDs and vinyl in case your computer setup tanks for any reason—including system crashes, hard drive failure and other gremlins that can jack up a gig. The Numark Total Computer DJ in a Box itself is quite reliable from my experience with the gear, but your computer’s hard drive may be another story. Don’t rely only on MP3s to get the job done, new DJs…you’ll live to regret it.
Surviving a Marathon DJ Gig
Ever struggled to keep a DJ set tight for six hours? It’s a DJ gig hell-ride, to be sure…but there are a few things you can do to survive a very long set, whether you’re spinning in a club, doing on-air DJ work or playing a party or wedding. I’ve done extended sets in just about every one of these situations–on the air, parties, you name it.
Naturally the setting you’re doing your DJ work in dictates a lot about how you manage a very long night, but there are a few specifics I’ve found apply no matter what. This ain’t a guide to how to make your DJ segues flow or how to keep the club jumping, this is more about keeping your body feeling as close to top form as you can get in hour number four, five and beyond.
Blood Sugar is a huge factor. When you load up with a lot of carbs, sugar or alcohol, the crash is coming, believe it. Your DJ set will be much better if you’ve packed a protein bar or two and keep some kind of carb control snack on hand that’s formulated to level out your blood sugar. You WILL feela difference. The second your energy starts flagging, don’t go for the Red Bull, try eating a small carb control snack or a few bites of a protein bar. Don’t eat the whole thing, try 1/4 of a bar at first and see how you feel.
Foot Fatigue isn’t always a factor in a club or a radio station, but if you’re DJing a wedding, chances are you’re standing on concrete or flimsy tile in those rec halls and reception centers. When I’m on the decks for an extended period, I make sure to pack a small area rug in my DJ equipment box. You can laugh if you want, but it delays the onset of foot fatigue and makes your entire gig much more comfortable.
Hearing Protection seems like a no-brainer to me, but I am shocked by the number of DJs who don’t wear hearing protection during their gigs. If you play longer than two hours you need this more than ever–prolonged exposure to high SPLs is a major occupational hazard for DJs and no club DJ or party spinner should ever play long sets without safeguarding the ears. It saves you in so many ways, but for me personally, a DJ set with hearing protection is much less stressful overall–I find extended high volumes physically draining without the earplugs.
Technics SL-DZ1200 Digital Turntable
by Joe Wallace
Technics says their Technics SL-DZ1200 was the world’s first Direct-Drive Digital Turntable. I don’t care if it’s the hundred and first, the idea that you can carry around your library on a removable SD card is pretty sweet–even if it does feel totally contrary to nature. While digital turntables are no longer hot-off-the-presses front page news in the DJ world, Technics is still one of the warhorse names in the business and it’s no surprise they’d try to dominate in the digital realm as well as with the analog turntables.
The Technics SL DZ1200 supports CD, MP3 and AAC formats. In light of my previous post on Christian Marclay, I do wonder how this DJ gear will enable a whole new crop of DJs who I’d label “post music” performers. Imagine doing a set comprised solely of manipulation of your library of samples rather than actual songs.
Consider that you wouldn’t even need to create a proper playlist if you were skilled enough with the manipulation of a pile of self-created samples. Sounds like a challenge waiting to be taken up by anyone with enough dosh to shell out over $1100 apiece for these digital monsters.
The specs on the Technics SL-DZ1200 digital turntable:
On-board Effects
Vibration resistant
Pitch lock
Free wheel
Adjustable speeds
Cue Point Functionality
Full scratch capable
SL Type Direct Drive Platter with Forward and Reverse Option
CD, CD-RW, CD-MP3, SD Audio Playback
SD Card Storage for Settings and Sample
While we’re on the subject, here’s a clip of the Technics SL-DZ1200 turntable at work.