Category Archives: editorial

New In Stock At Turntabling: Fulci Soundtracks, Goblin, Slumber Party Massacre

New at Turntabling! The soundtrack vinyl reissued by Death Waltz for the Lucio Fulci gross-out slasher flick, The New York Ripper. Also in, the gorgeous-looking Death Waltz edition of The Slumber Party Massacre, John Carpenter’s The Fog, a really delicious red vinyl import 7-inch of the Goblin Profondo Rosso/Death Dies soundtrack music for the Dario Argento movie Deep Red, aka Profondo Rosso.

There is a LOT more to come including a massive treasure trove of Goblin vinyl. Stay tuned for the Goblin soundtrack music for Dawn of the Dead, plus the soundtrack for Buio Omega, and Contamination. We’ve even got a Cherry Five vinyl record coming, too.

Lucio Fulci New York Ripper Soundtrack

John Carpenter The Fog vinyl record soundtrack The Slumber Party Massacre soundtrack vinyl record Ms 45 Soundtrack Vinyl Death Waltz  Maniac soundtrack Music By Rob tp0004c_SP_DPGate_Cover Umberto vinyl record Black Widow Eraserhead Reissue rare vinyl record

Turntabling: We Buy AND Sell Vinyl

Turntabling recordsWhat you see here is the setup for the Turntabling-curated Sexy and Scary Vinyl art show on the 5th floor of the Bridgeport Art Center (Friday June 20 2014 starting at 6PM). There are a LOT of vinyl records on display for this one-night-only art show, plus film trailers, music and more.

One question that has come up about the show and about Turntabling in general is whether we sell records (yes we do!) and where you can buy those records.

Turntabling.net has a record and CD shop on Discogs.com and our inventory grows weekly–sometimes daily, depending on the finds we make in a never-ending search for the hard to find, the rare, the weird, the unusual, and just plain awesome vinyl records.

While we aren’t selling records at the art show on Friday (the show is all about the images, the album covers and the culture behind these albums and the films associated with many of them) we are happy to discuss the sale of these records and many others like them. Please feel free to drop a line with wish lists and requests for more information to:

orders@turntabling.net

We are actively looking for other venues to bring the Sexy and Scary Vinyl art show to–if you want this display in your record store, special event, art space or other venue, do get in touch at the same address.

Turntabling is also branching out to Etsy once more–we have a small, but soon-to-be-growing inventory there that you can explore at https://www.etsy.com/shop/Turntabling.

And finally, Turntabling buys record collections–if you have one to sell, get in touch by email:

orders@turntabling.net

 

What Is It About Vinyl Records?

60s retro turntable orange
From time to time I ask myself just what it is about vinyl records that is so appealing. A lot of the time the answer for me has to do just as much with the artwork and the presentation as the music itself.

I am not anti-digital. I think downloads have really helped push vinyl–the physical artifact–to a new place of importance in music culture. There’s something about the larger artwork, the inclusion of liner notes, the gatefold sleeves and the physicality of the record that gives it a lasting appeal.

You could literally do most, of not all of this digitally–providing a large digital poster image buyers could download and print would be fab. Ditto liner notes. But for some reason, the seeking and finding is an important part of the vinyl buying experience. You can hunt and peck online for digital downloads all day, but nothing beats the thrill of flipping through the stacks and seeing that album cover that just gets you interested for no good reason. Or for VERY good reasons.

Shopping online is pretty utilitarian. Going to a local record store, listening to the music playing on the overhead, browsing the magazines, overhearing conversations about new music…this is almost becoming (if it hasn’t already) date night activity. It’s definitely a great way to kill an hour or so when you’re waiting around for something else to happen…but for me going to the record shops is always a main event type activity.

Digital is great and convenient. It’s not the same listening experience with vinyl–the involvement of cleaning the record, putting it on the turntabling, turning it over to play the B-side, looking at the artwork…doing this for an hour or two a night requires more attention. It’s like cooking at home instead of ordering delivery. You get your food in the end, but that hands-on experience makes it more…real somehow. Not that downloads are plastic or fake. They’re easy and fun. But not special, not on their own.

Those digital services that encourage mixtape and sharing amongst friends/subscribers have the right idea–making music an EXPERIENCE is probably the key to selling more digital downloads. Vinyl has all that built-in.

–Joe Wallace