Category Archives: gear

Crosley Record Player

crosley-record-player

I seem to remember seeing one of these great Crosley turntables at Target, of all places. I really love the old-fashioned design of this Crosley record player, combined with the built-in CD player.

My friends in Hyperbubble have a Crosley record player in the guest bathroom, the perfect place to chill out to some glorious vinyl albums which relaxing in a hot bath. Add an ice cold beer and you have perfection.

Best thing about the Crosley picture here? It’s under a hundred bucks. Those old Devo records never sounded better than when you’re relaxing in the bath after a rotten day’s work.

Milty Zerostat: For Fanatics Only?

milty-zerostatDoes anybody reading this blog actually OWN one of these? Behold the Milty Zerostat, advertised as a dust-remover for vinyl records. It shoots out a stream of ions when you pull the trigger–ions that are supposed to rid your LPs of nasty pops and clicks caused by dust (which is attracted by an electrostatic charge on your records).

The Zerostat, according to the marketing hype, removes the electrostatic charge that attracts the dust. Zap the album, clean it off, and play away! So sayeth the hype. Does this actually work? I’d love to get a first-person report. At a triple-digit price tag, this one looks like it’s a collector-only gadget, but I’d love to see it in action and hear the results.

Learn How To DJ With A Little Advice From Steve Albini

the-rich-mans-eight-track-tape

I haven’t posted much on the actual art or business of DJing here lately so I thought I’d pass along something to amuse. It started after reading Steve Albini’s rant against digital on an old CD copy of Rich Man’s Eight Track Tape. Albini wrote that in a few years, the compact disc would be unplayable on any equipment considered state-of-the-art and modern. It took a lot longer than Albini thought, but with the iPod and MP3 downloads ruling the market now, it turns out he was right in ways nobody expected. Not even him. But I babble…this was supposed to be a rant about DJing, wasn’t it?

I am constantly amused by all the Learn How to DJ websites I run across. I especially giggle at the sites that tell newcomers that they should invest in two turntables as part of their DJ rig as though that’s still standard, required equipment these days. It’s not that you can’t or shouldn’t expect to play vinyl as a professional DJ but every DJ interview you read these days says the same thing. “Vinyl is too heavy. I held out for a long, long time but finally switched to MacBook Pro and Serato.”

One thing I personally am in favor of is using the turntable to enhance your digital setup. You can go digital all day long, but sometimes you have the urge to whip out that old Laid Back “White Horse” 12 inch and mix it up with some Radioactive Goldfish. So why not buy yourself a Technics SL-1200 MK2 and get crazy with the cheese whiz?

When you learn how to DJ the first thing you discover is the gear isn’t going to make you spin any better. I’ve run four hour broadcasts using two clapped-out old decks with half-dead LED displays and played DJ sets using the most shameful home stereo craptacular setup you can imagine. What really matters is does the music sound good, loud enough and is it mixed well?

But I will say this–there is absolutely no replacement for actual, physical media at a club or party. When your laptop bites the dust at the last minute, or that hard drive crashes, or worse yet–your computer simply stops recognizing the hard drives you stored all your tunes on, you’ll be greatful for vinyl or CDs and the players to run ’em on. Don’t overestimate your digital gear–one day it will take a nice big dirt nap on you when you need it most. Will you be ready to pick up the slack? Steve Albini is right–the future does belong to analog loyalists, even if only for those who were smart enough to pack some vinyl and a player for when their laptops quit working at the show.

iZotope Vinyl Plug-In

izotope-vinyl-plugin

Intriguing. Advanced. Utterly ridiculous. The marketing hype for this effects plug-in for Pro Tools says iZotope is the “ultimate lo-fi weapon” to take your delicious, pristine, 24-bit multi-track audio production and turn them into murky pieces of analog crap! iZotope is basically a free plug-in you can use to simulate playback of the recorded material on a vinyl album. Since the name of this blog is Turntabling, you’d think I’d be all for this plugin, but something about it doesn’t seem right.

I suppose iZotope would be GREAT as a fun gimmick on a digital-only release, but anybody dreaming of putting their music on an ACTUAL record would do well to run away screaming from this with haste.

Again, I think it would be amusing to tart up a portion of some digital track with iZotope, but that’s about as far as I think it would be useful–at least in MY music.

If you’re a Pro Tools user and are dying of curiosity, you can download the iZotope plugin at the product page and have a go.