Category Archives: editorial

Dario Argento and Goblin: Suspiria Soundtrack

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The soundtrack to Dario Argento’s Suspiria is still one of the loudest, creepiest and most effective scores used on a piece of celluloid to date.

Argento’s demented fairy tale/Grand Guignol horrorfest is still just as creepy and unsettling as it was when I first spotted it playing on a drive-in movie screen in the 1970s. I had no idea what it was–I was too young at the time to know what I was missing–but Suspiria later made the rounds on HB0 and Showtime where it made believers out of creeped out kids all over America.

Check out the Goblin soundtrack on this trailer for the restored version of Suspiria. Argento claims a collaboration with Goblin on this one, but I truly believe that the credit for this belongs squarely with the performers themselves–Goblin may have gotten some coaching from Argento in the studio, but listen to the realization of these sounds and marvel. Goblin has had some decidedly gawdawful results when they aren’t on their game, but here they hit all the marks with skill and a precision that predates later sonic attacks along the same lines by Skinny Puppy by many years. Bravo!



Cassette Tapes Still On Sale

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I do NOT for a SECOND believe that cassettes are coming back the way vinyl already has. But tapes do keep appearing on my radar lately, quite a lot actually. Example, right down the street from my house at Laurie’s Planet of Sound there is a cassette tape which actually tempted me–a Chris Connelly release I’d not heard of before due to being either out of touch or the tape itself being…gasp…new?

Then there’s the Ohio-based Everybody’s Records, which proudly displays the mighty cassette tape rack shown above. I don’t know why anyone would shell out four dollars for one, but they advertise .99 cent tapes, too and that wouldn’t be a hard sell if the cover art were intact and you are a completist. Everybody’s Records–from the photos–looks like an amazingly cool place to shop. What is it with Ohio and their excellent record stores? I am always impressed when I go there…it seems to be an endless supply of great indies.

I don’t get the appeal of the cassettes these days, but I suppose nostalgia must be part of it…do the sellers of cassette tapes also sell cassette players, too? If not, they should. Ditto for anyone selling 8-tracks. Otherwise how in the world do you sweeten the deal for someone who has old gear that’s about to die, but still wants to revel in the old-old-OLD school playback experience? Me personally, I do miss that goofy “click/clunk” of the 8 track tape machines as they switched to the next track. I don’t miss having the track change in the middle of a song, however.


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Experimenting with Twitter Plugin

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Never Mind The Bollocks, Here'

Yes, we’ve gone over to the dark side here….but I do love the idea that you can update Twitter and the blog at the same time. I do love the simplicity of Twitter and actually thought it might replace blogging for a bit, but I see now the utter folly of that notion.

In other news, purchased the Criterion version of Border Radio, more on that after it arrives and I can review it. Two months ago I scored the once-rare vinyl LP soundtrack for the movie which features the Flesheaters, Divine Horsemen and Chris D. I love this movie and it’s even more fascinating now in light of the fact that the music business as depicted in Border Radio all at once no longer exists AND is the same as it ever was.

I love contradictions and dichotomies.

Surviving a Marathon DJ Gig

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Ever struggled to keep a DJ set tight for six hours? It’s a DJ gig hell-ride, to be sure…but there are a few things you can do to survive a very long set, whether you’re spinning in a club, doing on-air DJ work or playing a party or wedding. I’ve done extended sets in just about every one of these situations–on the air, parties, you name it.

Naturally the setting you’re doing your DJ work in dictates a lot about how you manage a very long night, but there are a few specifics I’ve found apply no matter what. This ain’t a guide to how to make your DJ segues flow or how to keep the club jumping, this is more about keeping your body feeling as close to top form as you can get in hour number four, five and beyond.

Blood Sugar is a huge factor. When you load up with a lot of carbs, sugar or alcohol, the crash is coming, believe it. Your DJ set will be much better if you’ve packed a protein bar or two and keep some kind of carb control snack on hand that’s formulated to level out your blood sugar. You WILL feela difference. The second your energy starts flagging, don’t go for the Red Bull, try eating a small carb control snack or a few bites of a protein bar. Don’t eat the whole thing, try 1/4 of a bar at first and see how you feel.

Foot Fatigue isn’t always a factor in a club or a radio station, but if you’re DJing a wedding, chances are you’re standing on concrete or flimsy tile in those rec halls and reception centers. When I’m on the decks for an extended period, I make sure to pack a small area rug in my DJ equipment box. You can laugh if you want, but it delays the onset of foot fatigue and makes your entire gig much more comfortable.

Hearing Protection seems like a no-brainer to me, but I am shocked by the number of DJs who don’t wear hearing protection during their gigs. If you play longer than two hours you need this more than ever–prolonged exposure to high SPLs is a major occupational hazard for DJs and no club DJ or party spinner should ever play long sets without safeguarding the ears. It saves you in so many ways, but for me personally, a DJ set with hearing protection is much less stressful overall–I find extended high volumes physically draining without the earplugs.