This YouTube series is just now showing up on the Turntabling radar…interesting material, especially that these gents have interviewed a record label owner who was grousing about vinyl as a “Beanie Baby-like” phenomenon. Fascinating stuff, especially when discussing green manufacturing and vinyl production. A really interesting clip from the folks at Vinyl Vlog:
Tag Archives: vinyl records
AM & Shawn Lee Interview
AM & Shawn Lee collaborated on 2011’s Celestial Electric, released digitally and on vinyl on the most excellent ESL label. We’ve covered ESL artists before–most notably Chris Joss who is still cranking out amazing retro grooves like nobody else can. (Joss released a fantastic new album, “No Play, No Work” in October.)
The AM & Shawn Lee collaboration has a lot of analog synth texture to it, which always sounds great on vinyl, but there’s also a heavy singer/songwriter vibe–Nilsson meets Gary Numan Uptown?
The Numan reference is probably too doomy for this album until you get to tracks like Dark Into Light, which is a bit heavy handed on the rhyming, but arguably one of the best cuts for lovers of heavy, low end synth.
Turntabling interviewed AM & Shawn Lee by e-mail just before they started their new tour (details at the end of the interview).
First-a bit of background. Tell us a bit about AM & Shawn Lee, how things got started and what’s going on now.
Shawn Lee: Well, according to legend, AM emailed me after hearing my music on the radio in LA. This is true! I emailed him back. We stayed in touch with cyber exchanges. I played on one of his tracks. When he came to London we hung out at my studio and I went to his gig. We hit it off… I later came to LA to play some live shows. I invited AM to sit in with my band on a couple of tunes. He did! We hung out more. We listened to records. We bonded…I said “We should make a record together”! He said “yes”! We did!!
This may sound obvious given the state of the music biz at the moment, but how did you decided to start releasing things on vinyl as opposed to the easier, more cost effective route of digital-only sales?
Shawn Lee: Well we were releasing in the obvious digital formats anyway. We are both fans of vinyl and it was clear to us that this album would have to be on wax. It smells lovely!!!! Nothing sexier than 12 inches of round platter, baby!
Do you find that the vinyl format serves some of your music better? Thinking of the Gary Numan-esque synth tones on tracks like Dark Into Light where the analog format would definitely favor those textures…
Shawn Lee: You can’t beat the sound fidelity of new properly cut vinyl. It ain’t a record til it’s a record- you know what I mean?! Not to mention it’s a great visual package as well.
Technically speaking, what was your major challenge of putting out digital and vinyl formats?
AM: Well the most obvious thing to do is have it remastered for vinyl…which we did. This is very important. We also re-did the artwork layout wise. We did a gatefold vinyl so we had more space to work with. Andy Votel (Finders Keepers) was kind enough to do all the artwork which is amazing. George Horn mastered the album for vinyl.
What is it about turntable culture that keeps it alive after all these years, in your opinion–sound quality aside, what attracts you to vinyl as a format not only for releasing music but also collecting?
AM: I think the main reason is that it is so tangible. It’s big and requires you to really put attention into artwork and layout. The 60s and 70s were such a magical time for that because so much went into the photograhpy, artwork, layout and liner notes. There was a certain pride in it.
I think that is coming back because many of us look back on those types of records and want to give our record the same love and sense of pride and detail. Oh wait, you asked about sound! Ha ha. Well, vinyl just is. Nothing sounds like it. The highs have a certain crispiness about them and the lows are so warm and full. But I personally think the resurgence has more to do with aesthetics than sound.
Any plans to stick with vinyl for future releases? Or is this more an experiment for you? What’s your experience been with vinyl as a format for the new album, and how do you like how it’s doing so far?
Shawn Lee: Yes we plan on releasing future records on vinyl . The CD as a format is dying out but vinyl continues to live on. As far as physical formats go, Records are the real deal. Vinyl is final….
Give us some dirt on working closely with Thievery Corporation and how do you like the ESL family?
Shawn Lee: Thievery are like a rock and roll circus! Long hair, spliffs, Jack Daniels, yoga! It’s an interesting mix. I’ve known Rob Garza for many years now and he is one cool dude. Everybody in their band was super nice and it was a great experience all round.
AM: Touring with Thievery Corporation was pretty classically rock n’ roll and they were super cool. They watched our show every night. That says a lot. After our last show with them in Oakland they had an after party at a club down the street. We walked in and Rob Garza was upstairs in a private area surrounded by different folks.
He asked if I wanted a drink and I noticed he had a Corona. I was like “sure, I’ll have a Corona.” He made a motion to someone and 10 min. later an entire tub of Corona showed up along with a couple bottles of tequila. I was like “oh yeah.”
AM & Shawn Lee are currently on the Dark Into Light Tour which ranges from New York, Chicago, Ohio and elsewhere in the US, all the way to Quebec. Get tour dates and info at AMSounds.com
Cinema Wasteland Fall 2011
I promised a trip report on Cinema Wasteland–one of my favorite conventions to set up the Turntabling booth at. This time out there were plenty of vinyl junkies to talk shop with, and as usual, the entire weekend flew by faster than you really want it to.
For those who have never been, Cinema Wasteland is, as the name implies, a movie expo featuring underrated, indie and otherwise non-mainstream films, stars, memorabilia and ephemera. There are a lot of indie filmmakers at the show representing their latest work and plenty of well-recognized luminaries signing autographs.
For me, Wasteland is a chance to put the Turntabling Collection in front of a lot of people who haven’t seen it before and rub elbows with my favorite artists, bloggers and filmmakers. This year Turntabling hit the road early to spend some time in Cleveland before the show craziness started.
Here’s a little collection of images from the trip–I’d like to say thanks to everyone who supported Turntabling by purchasing vinyl, CDs, or one of our hand-silk screened record totes or t-shirts. We had a little collection of tees and bags that sold quite well and have gone a long way toward supporting the site–THANK YOU! And special thanks to KitleysKrypt.com, Don and Nina England, Ken and Pam Kish (the organizers and hosts of Cinema Wasteland) and many others for making the trip so amazing.
Why yes, that IS a copy of “What Do You Know, Deutchland?” by KMFDM. That’s also a Christian Death album, right next to the Legend soundtrack. Tasty.
Local color…I wish this place had been open when we were there…looks fun! There are LOTS of great places to shop in Cleveland, including the crazy retro shop that carried this Richard Wagner action figure:
There was just too much awesomeness in Cleveland for ANYBODY to call it “The Mistake By The Lake” as we’ve heard so often here in Chicago. Pay the scoffers no mind, Cleveland and Cleveland Heights are wonderful stops for a vinyl junkie and retro fiend.
Turntabling at Cinema Wasteland 2011 in Strongsville Ohio
Starting Wednesday, September 28 2011, Turntabling hits the road, bound for the mighty Cinema Wasteland horror convention in Strongsville Ohio.
The show doesn’t start until Friday, September 30th, but there is vinyl buying to be done, some sights in and around Cleveland to be taken in, and on Friday morning the Turntabling Collection needs to be unpacked and made ready for sale at the show.
There will be plenty of updates from Cinema Wasteland on Facebook. My personal FB page also doubles as the Turntabling page, friend me there and let’s get connected!
The image to the left here is more what more than 600 vinyl records looks like packed and ready for the road trip. That’s a whopping EIGHT CRATES of vinyl records. And there are also several crates full of rare and hard to find CDs, too.
If you’ve never attended Cinema Wasteland before, this is your best chance to date of seeing The Turntabling Collection in all its glory. Coil, Legendary Pink Dots, Skinny Puppy, rare Dr. Who vinyl, The Cure, Burroughs on vinyl, Lydia Lunch, J.G. Thirlwell, Sleep Chamber, too many other awesome groups to name all for sale on glorious vinyl records at the Turntabling table. And yes, there is plenty of Italian soundtrack music and related sounds, too.
That aside, Cinema Wasteland is one HELL of a show and this year there are too many amazing guests to name–do you want to meet the director of Basket Case, Frank Henenlotter? Dawn of the Dead’s David Emge? The awesome William Forsythe? Gunnar “Leatherface” Hansen? All scheduled to appear. There are plenty of screenings and other groovy good times there too…
The Turntabling Collection is not available for sale online during Cinema Wasteland as the ENTIRE STOCK is headed there for the show. The collection will be reposted for sale once Wasteland is over and the inventory has been updated.
As always, THANK YOU for your continued support of Turntabling. Every record or CD you purchase goes toward keeping the site alive and kicking, and it is definitely doing all that and more…thanks to you.