Tag Archives: vinyl records

Vinyl Blogs Worth Reading: OMG Vinyl

One of the dangers of being a vinyl junkie–especially one that loves old-school Italian soundtrack imports, industrial LPs and old KLF 12 inch singles–is that it’s easy to get lost in back catalog crate digging and forget about the large volumes of equally worthy vinyl being released today.

While nobody has the market cornered on reporting about new vinyl releases, it must be said that OMG Vinyl does a stellar job of covering the new stuff, and the writing is absolutely top-notch.

One of the best opening lines of any vinyl blog posts in recent memory comes from OMG’s coverage of new stuff by Four Tet; “We don’t post about techno 12?s much anymore, not in this economy. However, Four Tet’s Text label is pretty much impossible to ignore, easily releasing some of the best platters around featuring partners in crime like Thom Yorke and Burial…”

OMG Vinyl posts reviews, samples and news on the latest vinyl across a staggering variety of genres including noise, dub, and post-rock in addition to the usual suspects in the indie, hip-hop, garage and psych categories. It’s easy to get hooked on this site, especially when they’re posting new material by Four Tet and reviewing CASSETTE releases, too…recommended.

–Joe Wallace

Vinyl Wax Records Documentary

Back in 2009, CrateKings.com posted this video clip, Vinyl Wax Records, featuring a great cross-section of people geeking out on vinyl records.

There’s nothing more gratifying than seeing people like those in this video getting enthusiastic about vinyl records–not just interested, but REALLY into it. Some of the best moments in this are when turntablist Swan is doing his thing–but especially when he’s explaining why his vinyl has stickers all over it. Pretty awesome stuff.


 

…and We’re Back!

Was a great, sleep-deprived and vinyl-riffic road trip to Pittsburgh and back again. Loads of great vinyl finds and good times, and the two-day horror movie marathon and camp-out at the Riverside Drive-In was awesome fun. The normal Turntabling posting schedule (such as it is) resumes once more now that I’m off the road.

Learned a few interesting things about my own vinyl collecting habits while on the road. Maybe it’s just personal bias in favor of one system over another, but I find vinyl graded with terms other than the Goldmine standard (G, VG, VG+, NM, NM-, M) seem to be MUCH less than advertised when you inspect the records.

“Very Fine” and “Exceptionally Clean” seem to be much closer to bullshit in my opinion–“exceptionally clean” or “very fine” lead one to expect a record in at least VG+ or NM- condition. Instead what you get in many cases is an overpriced VG.

What’s the difference? I know a lot of people out there have a hard time with record grading, but my own criteria, fussy as it may be, is basically this: if a record has more than a couple of stray marks on it, it can’t possibly be better than VG+. If a record looks used, but well taken care of (shiny, without more than two glaring marks or scratches that don’t affect play) it’s probably VG or VG+. I think records in VG+ condition are great purchases, and many of the ones in my own collection are VG+.

I will buy a record that looks VG+ any day of the week. I love NM vinyl best of all the “pre-owned” grades, but sometimes you’ll pay more for them because they’re more sought after–a NM version of a rare title is a wonderful find. But VG+ is just fine for anyone who plans to play the record often.

Near mint is just that–a record that’s used but looks pretty damn close to when it came out of the shrink wrap with some leeway given for the age of the record. Mint is either just out of shrink wrap and played once or twice or still sealed. In my experience–and it’s all VERY subjective, naturally==I think people who collect are really into NM, but many of those who buy from me at shows like HorrorHound Weekend or Cinema Wasteland buy to play the albums often and are perfectly happy with VG+ or VG.

The records graded “Very Fine” or “Exceptionally clean”, I’m not too impressed with as the perception is (for a hardcore record buyer and seller of vinyl) that somebody’s trying to sidestep the condition issue. That’s not always the case, to be fair, but it was really glaring on this trip how untrustworthy grading systems can be. Always inspect your vinyl!

I’ll have to do a full post on this stuff a bit later on, methinks.

–Joe Wallace

The Turntabling Podcast

[podcast]http://www.turntabling.net/audio/TURNTABLING%20PODCAST1%202011.mp3[/podcast]

(Click the image to play or see the link below)

The very first Turntabling Podcast is now up and running for your listening enjoyment. First episodes of ANYTHING are painful, rough, cheesy and difficult to be enthusiastic about once the next and much-better-sounding editions go up, but for now this maiden voyage of the Turntabling Podcast will have to do.

The idea behind this show is not so much to do music CRITICISM, but something more along the lines of vinyl ARCHAEOLOGY. Consider this a voyage into the dark, scary underbrush of vinyl. Where the monsters live, at least according to local superstition.

In this first episode, Turntabling discusses born again christian new-wave music by Steve Taylor, an Australian experimental album called Tape Projects 06, the frightening and funny Hilarity And Despair: American Answering Machine Tapes Volume One, plus a listen to choice bits off the Irritainment album by Guyana Punch Line. Sore throat music isn’t for EVERYONE, but some people like it.

Listen to the first-ever Turntabling Podcast, and remember that just like Dan Savage would say…it gets better. Episode Two should be FAR more entertaining, but don’t let my saying that deter you from hearing these weird vinyl cuts…they’re worth it.

–Joe Wallace