Category Archives: WTF?

WTF Album Covers: Fortran 5 Avocado Suite

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Maybe it’s just me having some kind of visual allergy to looking at people squatting on the toilet? Or is this a pretty lousy way to sell an electronica record?

I have to say though, I enjoy tracks on Avocado Suite. It’s blippy, noisy, abrasive, yet listenable and fun. Sort of Aphex Twin-y, but on operating on different substances…

Fortran 5 fans have a contingent of haters for this particular release, but in spite of the crap cover (sorry) I dig tracks like She Knows The Lot, and Radmen. Listen and decide for yo’self:

–Joe Wallace



WTF Album Covers: Space Age Bachelor Pad Sexism

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I’m sure Elliot Lawrence didn’t think he was a sexist pig when he saw the cover for his own album, Music For Trapping, sitting there in the shrink wrap. But it’s hard to imagine the era where this sort of nyuk-nyuk lunkhead imagery didn’t even raise an eyebrow even a LITTLE.

The trophy heads are SO Norman Bates…this guy definitely seems like a serial killer in the making. He’s one step away from an episode of Dexter, to be sure. If Dexter had a time machine and a martini shaker, that is.

By the way, if you like the Turntabling WTF album cover collection, why not join us on Facebook for regular updates of atrocious album covers, bad album art, and etc? We’d love to have you in this growing little community of bad album cover lovers.

WTF Records: Country Moog by Gil Trythall

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I was prepared to laugh Country Moog: Switched-On Nashville out of court as the most wrong-headed silly concept I’ve encountered in ages. But then I heard the Moog-i-fied cover of Folsom Prison Blues Johnny Cash. This could be the most brilliant piece of musical Dada EVER.

On some of these tracks, Trythall manages to make them sound nearly authentic in terms of having a C&W vibe–Foggy Mountain Breakdown nearly fools you into thinking there’s a real violin (sorry, fiddle) playing. Almost. The version of Floyd Cramer’s Last Date wouldn’t be that hard to translate–it sounds almost out of place here because it’s so…normal.

The version of Gentle On My Mind wouldn’t sound odd at all on an Italian Star Wars rip-off movie soundtrack…but I can’t help going back to that cover of Folsom Prison Blues–worth the price of the entire record.

This is a WTF album of the highest caliber. Country Moog — Switched On Nashville can’t be dismissed, it demands to be heard in all it’s effing bizarre glory. VCP is an awesomely mutated accomplishment!