Tag Archives: Big Black

Learn How To DJ With A Little Advice From Steve Albini

the-rich-mans-eight-track-tape

I haven’t posted much on the actual art or business of DJing here lately so I thought I’d pass along something to amuse. It started after reading Steve Albini’s rant against digital on an old CD copy of Rich Man’s Eight Track Tape. Albini wrote that in a few years, the compact disc would be unplayable on any equipment considered state-of-the-art and modern. It took a lot longer than Albini thought, but with the iPod and MP3 downloads ruling the market now, it turns out he was right in ways nobody expected. Not even him. But I babble…this was supposed to be a rant about DJing, wasn’t it?

I am constantly amused by all the Learn How to DJ websites I run across. I especially giggle at the sites that tell newcomers that they should invest in two turntables as part of their DJ rig as though that’s still standard, required equipment these days. It’s not that you can’t or shouldn’t expect to play vinyl as a professional DJ but every DJ interview you read these days says the same thing. “Vinyl is too heavy. I held out for a long, long time but finally switched to MacBook Pro and Serato.”

One thing I personally am in favor of is using the turntable to enhance your digital setup. You can go digital all day long, but sometimes you have the urge to whip out that old Laid Back “White Horse” 12 inch and mix it up with some Radioactive Goldfish. So why not buy yourself a Technics SL-1200 MK2 and get crazy with the cheese whiz?

When you learn how to DJ the first thing you discover is the gear isn’t going to make you spin any better. I’ve run four hour broadcasts using two clapped-out old decks with half-dead LED displays and played DJ sets using the most shameful home stereo craptacular setup you can imagine. What really matters is does the music sound good, loud enough and is it mixed well?

But I will say this–there is absolutely no replacement for actual, physical media at a club or party. When your laptop bites the dust at the last minute, or that hard drive crashes, or worse yet–your computer simply stops recognizing the hard drives you stored all your tunes on, you’ll be greatful for vinyl or CDs and the players to run ’em on. Don’t overestimate your digital gear–one day it will take a nice big dirt nap on you when you need it most. Will you be ready to pick up the slack? Steve Albini is right–the future does belong to analog loyalists, even if only for those who were smart enough to pack some vinyl and a player for when their laptops quit working at the show.

Repulsion by Dinosaur Jr.

I mentioned this one as part of the Wailing Ultimate compilation vinyl put out in the late 80s by Homestead Records…here’s a YouTube vid I dug up with J. Mascis and co. doing that very track live on the reunion tour. Sure, the sound quality is absolute crapola, but you get an idea of what the vinyl sounds like more or less….but I thought the soloing on The Wailing Ultimate version of this was much crunchier.

Early Dinosaur and Dino Jr. are pretty much the same bag, if you ask me, but it’s consistently good and the Homestead compilation mentioned previously shows J. Mascis had pretty well figured out what he wanted to do all along even at that early stage. I refuse to go to Dinosaur Jr. shows though based on reports of pain-threshold volume levels. I’ve got plenty of hearing damage without adding to the misery, thanks. I’ll settle for youtubity goodness like this.

Enjoy.


The Wailing Ultimate: Homestead Records Compilation Album

the-wailing-ultimate-homestead-records

Does anyone else even remember this one? In 1987, Homestead Records put out this hit-and-miss vinyl compilation, The Wailing Ultimate, featuring a pre-junior Dinosaur, Naked Raygun, and Big Black, plus a few future nobodies and the at-times-underrated Salem 66.

The Dinosaur track is the real reason to own this—“Repulsion” is a fabulous, moody cut that shows J. Mascis doing his thing years and years before anybody really took a shine to him in the mainstream media. Hear him showing off the same whine-n-crunch power long before he picked up a golf club on MTV. This one’s a tough find in some areas, but you can always pick it up used online via Amazon.com from a few nice reputable vendors including the venerable Newbury Comics.

Big Black Songs About Fucking LP

big-black-songs-about-fuckingIn my book, the all-time number one indie vinyl urban assualt weapon has GOT to be this album by Big Black. It kicks off at maximum velocity and simply doesn’t stop until the needle hits the end of the record. Songs About Fucking by Big Black is quite possibly Steven Albini & company’s finest hour. Sure, you can buy this on CD, but it sounds just the way it needs to on the vinyl; this is truly a case where the LP format is the best way to experience the sounds–Albini the analog audiophile really shines on this. No, you don’t listen to Big Black for subtlety, you put it on to shock your senses awake after putting in a full day at the death factory. Never mind Black Flag, Ministry, or even Nine Inch Nails; this is the genuine angry article–no pussyfooting with piles of rack effects and studio tweezing, just the machine gun thud of the drums, those great, trebly guitar sounds and Albini screaming his head off over the racket. If you play this album at maximum volume, your neighbors will die.

Standout tracks include The Power of Independent Trucking, L Dopa, and a razor-blade-n-gasoline cover of the Cheap Trick classic, He’s A Whore. STRONGLY RECOMMENDED