Technics SL-DZ1200 Digital Turntable

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by Joe Wallace
Technics says their Technics SL-DZ1200 was the world’s first Direct-Drive Digital Turntable. I don’t care if it’s the hundred and first, the idea that you can carry around your library on a removable SD card is pretty sweet–even if it does feel totally contrary to nature. While digital turntables are no longer hot-off-the-presses front page news in the DJ world, Technics is still one of the warhorse names in the business and it’s no surprise they’d try to dominate in the digital realm as well as with the analog turntables.

The Technics SL DZ1200 supports CD, MP3 and AAC formats. In light of my previous post on Christian Marclay, I do wonder how this DJ gear will enable a whole new crop of DJs who I’d label “post music” performers. Imagine doing a set comprised solely of manipulation of your library of samples rather than actual songs.

Consider that you wouldn’t even need to create a proper playlist if you were skilled enough with the manipulation of a pile of self-created samples. Sounds like a challenge waiting to be taken up by anyone with enough dosh to shell out over $1100 apiece for these digital monsters.

The specs on the Technics SL-DZ1200 digital turntable:

On-board Effects
Vibration resistant
Pitch lock
Free wheel
Adjustable speeds
Cue Point Functionality
Full scratch capable
SL Type Direct Drive Platter with Forward and Reverse Option
CD, CD-RW, CD-MP3, SD Audio Playback
SD Card Storage for Settings and Sample

While we’re on the subject, here’s a clip of the Technics SL-DZ1200 turntable at work.


Christian Marclay and Unwanted Sound

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by Joe Wallace

My first exposure to Christian Marclay was though my bandmates in Crevice. In 1999, some of the Crevice crew hooked up with Marclay to do an art show in San Antonio, Texas at the Art Pace gallery. The show, according to Uncle Buzz Records (the label home of Crevice, Pink Filth, Paisley Babylon, and others) to be an “audio/visual event using hundreds of Christmas records (Marclay) collected while in town.

Interesting enough to combine DJing with art galleries; moreso that the idea was to create new music from a collection of thousands of Christmas records. Ever since then I’ve been intrigued by Christian Marclay and his body of work. I don’t think DJ culture has been the same since Marclay, in the same way that tape manipulation art hasn’t been the same since John Oswald.


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Marclay has been described as a “Dadaist DJ.” He may be a DJ but is far from a club kid knob twiddler.
For starters, he studied sculpture at the Massachusetts College of Art in Boston Marclay has been involved in a number of collaborations with high-profile names in music. The term DJ or turntablist is really inadequate for Marclay–he’s gone far beyond club DJing and studio recording. His concepts involve the physical manipulation of the recorded music on vinyl as well as the aural manipulation of it.

Christian Marclay has worked with John Zorn, Sonic Youth, Otomo Yoshihide and Fred Frith. His work has been shown at the Whitney Museum of American Art New York among other important galleries around the world. It’s obvious that he’s a name in the business of sound, in the same manner as Eno, John Cage, Harold Budd and other experimenters/pioneers.

Check this clip about Christian Marclay and his desire for “unwanted sound”. It’s a fascinating little glimpse into the world he inhabits. “When we play a record we don’t want to hear the surface noise,” said Marclay,”But those are the sounds I’m interested in. I’m interested in the sounds I can get out of this vinyl record.”


Roy Budd: Get Carter

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Morricone rightfully gets a ton of respect for his soundtracks, but by comparison fellow soundtrack wizard Roy Budd is woefully underrated. Check out this trailer for Get Carter, which features great soundtrack sounds by Budd throughout. Budd has a nice double disc set featuring some of his best work.

Get Budd: The Soundtracks is a worthy investment if you love those 60s action/heist/gangster movie sounds, or if you want to see what else Budd got up to after Get Carter. The movie itself is excellent, Michael Caine really tops himself in this…he’s the prototype for Bruce Willis, Stallone, even Arnold had to take some cues from Caine in this film.

Chuck Norris is a toffee-nosed stripling compared to Caine in Get Carter…Nobody in the entire world comes as close. Standout moments in the trailer include the totally naked Caine chasing a couple of gangsters out of his room with a shotgun…let’s see Norris try THAT. On second thought, maybe not.

Crosley Record Player

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I seem to remember seeing one of these great Crosley turntables at Target, of all places. I really love the old-fashioned design of this Crosley record player, combined with the built-in CD player.

My friends in Hyperbubble have a Crosley record player in the guest bathroom, the perfect place to chill out to some glorious vinyl albums which relaxing in a hot bath. Add an ice cold beer and you have perfection.

Best thing about the Crosley picture here? It’s under a hundred bucks. Those old Devo records never sounded better than when you’re relaxing in the bath after a rotten day’s work.