Cinemaretroreports something completely unbelievable, but so totally Robyn Hitchcock that I can’t doubt its truth for a second. According toCinemaretro, Hitchcock is working on a stage musical based on the Dirty Harry movie Magnum Force. It is supposed to be some sort of parody, sick joke or otherwise not-to-be-taken-internally effort, but the sheer balls of this concept leaves me feeling like I’ve quite underestimated Robyn Hitchcock as of late. He’s still got a trick or two up his crazy sleeves. As long as Hitchcock himself plays the Dirty Harry role, I’m there.
The one and only.Never Mind The Bollocks, Here’s The Sex Pistols really should be heard in its vinyl glory. Mind you, this is NOT the original pressing, so before you start salivating all over your tartan bondage trousers, know that according to Amazon, this is a 2008 repressing. That said, vinyl really IS the best way to listen to this record.
All the classics are here and no mucking about with “bonus tracks” or “remixes”. On other releases, that would be a good thing, but for this, give us the original Pistols and their very very very snotty record, please.
And now for your viewing pleasure, the full force of the Sex Pistols as unleashed on their television debut for none other than the late, great Tony Wilson–who sought them out after having his head completely done in by a legendary, but underattended Pistols gig at the Manchester Lesser Free Trade Hall. This clip has Glen Matlock on bass, none of that cartoony Sid Vicious crap that would come later. Best part of this vid is the semi-chaos that happens as some doofus tosses furniture onstage. According to Tony Wilson, the applause was dubbed in, the original stark silence Lydon was staring into at the end was far more powerful. You be the judge.
Sometimes I run across others on the web who collect wretched albums or, at the very least, the godawful art that disgraces the covers of those LPs. My newest find is LP Cover Lover, and my only gripe with this site is that you can’t listen to the awfulness, you can only look.
The amount of cluelessness on display with THIS particular album is staggering. Just look at that gravity-defying hair! In spite of the TWO bibles on display on this LP cover, I find Mattie McFerrin sending mixed messages. Is that some kind of backwoods “come hither” look she’s giving us here? And check out the threads on this Bible studyin’ throwback of love…she’s got her shirt partially unbuttoned in a wanton display of sexual abandon matched only by the vest, which has even MORE buttons unfastened…trying to lure young devotees to her study with her sexually charged musical gyrations, no doubt.
Keep a lamp shining bright, if only so Mattie McFerrin can do a slow, religious striptease for the flock…this Christly cougar is on the prowl!
Intriguing. Advanced. Utterly ridiculous. The marketing hype for this effects plug-in for Pro Tools says iZotope is the “ultimate lo-fi weapon” to take your delicious, pristine, 24-bit multi-track audio production and turn them into murky pieces of analog crap! iZotope is basically a free plug-in you can use to simulate playback of the recorded material on a vinyl album. Since the name of this blog is Turntabling, you’d think I’d be all for this plugin, but something about it doesn’t seem right.
I suppose iZotope would be GREAT as a fun gimmick on a digital-only release, but anybody dreaming of putting their music on an ACTUAL record would do well to run away screaming from this with haste.
Again, I think it would be amusing to tart up a portion of some digital track with iZotope, but that’s about as far as I think it would be useful–at least in MY music.
