Tag Archives: WTF?

WTF Album Covers: Atrocity Upon Atrocity

WTF album covers don’t have to necessarily be technically awful or tastelessly inept. They can also simply lend themselves to pure mockery by obvious double entendre titles or conceptual silliness. Look at these two beauties:

I don’t want to know about their happy hands. I do NOT want to know about their happy hands. Please don’t tell me about their happy hands.

Burning question: how much cocaine did it take for this cover to seem like a GOOD IDEA? The name of this record is “Ride A Rock Horse” but “rock” isn’t the word you’re thinking of right now. It does RHYME with “rock” though.

And finally, an open letter from the future to born again recording artists of the past. KNOCK IT OFF WITH THE EFFING PUPPETS ALREADY. Thank you.

Bad Album Covers on the Ellen DeGeneres Show

As a rule, daytime television sucks the air out of a deceased camel. But I have to say, I was totally surprised by this clip from the Ellen show, because not only did she NOT trot out some bad album covers that everybody has seen before a million times, she actually SURPRISED ME as a connoisseur of shitty album art with two records I didn’t even know existed.

Honor Blackman recorded a record? The former Bond girl turns songstress? Or was she always a singer and I just didn’t know it? That album cover isn’t as awful as some, but Ellen DeGeneres does have just as much fun at Honor Blackman’s expense as I would here–her riffs on these records were pretty funny. And I hate daytime TV.

Then again, maybe some producer out there in TV land has been watching this space, and I should consider a lawsuit.

Only kidding–there are plenty of crap album covers and enough jokes to go around for all eternity. Plus, right-wing extremist knuckle-draggers hate Ellen DeGeneres, which makes her a good egg in my book. How could I possibly tilt lances at her when she gives the righties nightmares? Behold three wretched album covers and commentary as featured on the Ellen show:

WTF Records: Pink Panther, Frankenberry Disco and Paul Klee

by Joe Wallace

I am a rabid fan of bad album art, but I am also a collector of weirdness on vinyl. Sometimes weirdness manifests itself by goofy juxtapositions of style and content–the Ethel Merman disco album or the Lord of the Rings Disco Theme are two great examples. And then there are the vinyl record projects that are so brain-crushingly odd they defy reason.

For example, why did the artists choose to create an album where they musically interpret the work of abstract painter Paul Klee? That’s exactly what The National Gallery decided to do on the record titled “Performing Musical Interpretations of the Paintings of Paul Klee”.

What’s more, it’s going for upwards of $65!! Apparently Chuck Mangione–famous in the 70s for being a horn blower in the same way Kenny G was famous in the 90s for saxophone warbling–wrote some of this. What I want to know is WTF exactly was going through their heads (acid?) when they decided the project should be committed to vinyl. Maybe it sounds awesome–I have no idea, but as a CONCEPT it’s amazingly left-of-center. Bravo.

What would you say if you were sitting in your record executive’s office and someone approached you about releasing a vinyl LP, presumably aimed at the kiddies, featuring a then-famous cartoon character? Good idea, right?

But there’s just one problem with Pink Panther Country as a concept–the Pink Panther character in those original cartoons NEVER SPOKE. And on top of that, the music the show was known for was a very jazzy, hepcat sort of sound–not country. Regardless, somebody saw fit to issue this little nuttiness on vinyl–as a picture disc to boot!

And finally, there’s my favorite of the bunch in this post–something which now seems so wrong-headed and insane that I can’t imagine it ever looking like a good idea unless you were in the middle of a bag of blow.

In the 70s, when disco exploded and everybody and their grandma dropped ‘ludes and wore silver lame, some marketing genius thought it would be a good idea to get the KIDS emulating their drugged-out parents in some fashion, no doubt pretending the local Rotary Club was Studio 54. If only they had thought to combine quaaludes with breakfast cereal, this might have actually made sense in a sort of Doctor Evil context:

The breakfast cereal monsters snort coke off naked hookers! The breakfast cereal monsters crash a car into a concrete pillar on the highway after too many highballs and spliffs in the men’s room! The breakfast cereal monsters hallucinate spiders crawling all over them after taking one too many toots from a bag of cocaine laced with angel dust! So none of that actually happens on this record–but it SHOULD have.

I do not own ANY of these records…yet. I am now on a mission to locate them so I can report more fully on the contents. This nonsense deserves to be heard. Credit where credit is due–I discovered ALL this insanity at the super-awesome FrankLaRosa.com vinyl gallery, which is fearsomely impressive. My mind has been permanently damaged by his collection of amazingly weird records. I highly recommend a visit.

 

12 Inch Vinyl Record Made From…WOOD GLUE

YouTube is turning out to be quite a repository for vinyl weirdness. Enjoy my latest discovery in the Twilight Zone of turntabling–the gent in this video purchased a vinyl record stamper via eBay and decided to see what would happen if he tried to press a record with it using a whole mess of wood glue.

A vinyl stamper isn’t the machine that cranks out the LPs, it’s the “mold” for an individual record–the recorded music etched into the metal surface, ready for a load of melted vinyl to be poured into it and pressed. Since theoretically any liquidy substance that dries into a hardened form could be used, why not try making a 12-inch LP with wood glue? The results? Edisonian, but interesting nonetheless.