Category Archives: editorial

Space 1999 Soundtrack Vinyl

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Paul Durango’s fun blog features this vinyl soundtrack from Space 1999, the least scientifically accurate of all the science fictions television to come out of the cheesy 70s.  Durango found the album, and offers a zipped digital version for your listening pleasure. The soundtrack is full of cornball 70s wah-wah guitar playing, moody atmospherics and the requisite sighing string section and echoey xylophones. You could download a whole mess of Barry Gray’s Space 1999 soundtrack music from Amazon, but do yourself a favor and check out Paul Durango’s post first.

On a side note, some of the reviews for the CD/download version of the soundtrack are almost as funny as the series itself. One breathless reviewer gushes, “Our composer Barry Gray writes powerful cues that will make any youngster and adults alike leap for joy.”

Leap for joy? What the hell is THIS guy taking? I want some.

Behold the pure 70s style queso of the original intro. Revel in THIS cornball nonsense–still great for laughs after all these years. You really need a six pack or some kind of plantlife to properly enjoy this, but this is the epitome of 1970s boob tube-dom in all its’ hilariously wretched excess. I mean, really–the main conceit of this show is that the moon has been knocked out of its orbit and is sailing through space with 300 people living on it!


Nico Striptease

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nico-striptease

My new favorite music blog is BlowupDoll, which recently featured a Nico/Serge Gainsbourg single called Striptease. I hate to link directly to the file, but there’s no blog post addy to link to on this one, just the main URL. Needless to say, any fan of these sounds should take a long look at BlowupDoll. Bravo.

As for the track itself, why does Nico’s chanteuse stuff all sound like the Velvet Underground on quaaludes? For the full duration of this single, I keep waiting for John Cale to start grinding away on the viola. This is a great-sounding single, but hearing Nico’s voice on this track puts that image from The Night Porter in my head. Don’t ask me why, I can’t explain. Swap out that hat, though, sweetie. Got anything in LA Motorcycle Cop circa 1981? Now THAT would be sexy.


the-night-porter

Goblin Buio Omega Soundtrack

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Goblin soundtracks on vinyl–especially those on Cinevox–are going for ridiculous collector prices. One is priced at over $70.00! That much of a vinyl purist I am NOT. I prefer to download these instead and look for the vinyl versions used. This soundtrack album for the film Buio Omega is pretty sweet, sounds I’ve been searching for but never managed to find at an acceptable price–at least on vinyl.

It’s got PLENTY of 80s Italian horror soundtrack cheese–alternately moody and goofy. Goblin was in heavy synth mode here–there’s none of the industrial clang-and-shriek of Suspiria, and the dancefloor groove of Tenebrae is also missing…but there’s no denying the synth-cheese on this…it’s pretty tasty. Goblin is in fine, if restrained, form here.

The movie itself is twisted, lurid and just plain wrong. It’s got a nightmare quality that elevates it above the average twisted 80s shockers, but there are some genuinely stomach-churningly grotty scenes in this one...purchase Goblin’s soundtrack instead and get the cheese sans the necrophile imagery…

Ryan Moore’s Twilight Circus Sound System

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I was introduced to Ryan Moore and Twilight Circus Dub Sound System by way of the Legendary Pink Dots. Ryan Moore toured with LPD as a bassist and opening act back in the mid 90s. He would open LPD shows as Twilight Circus, playing a heavy dub act for about half an hour, 45 minutes before the Dots took the stage. With all due respect to the Dots, I thought Moore should have had his own headliner act with a more fleshed out band, but he did very well with the backing tapes, creating a great dub atmosphere with little or no help.

Moore’s site Twilight Sound System lives on today with too many dub releases to name. Check out the free MP3 downloads page and marvel at the excellent heavy grooves on offer. Moore is a dub powerhouse and a genuinely nice guy…I’d drop my plans to see any show of his. Been digging on dub for many years now and it has to be said, Moore not only carries the tradition, he’s brought elements of the old and new together with great skill. Have a listen, dubheads…if you don’t know Twilight Sound System, you’re in for a treat.